The Road from Horton: Looking Backwards in "Lycidas"English Literary Studies, University of Victoria, 1983 - 90 páginas This book argues that it was through his dialogue with the pastoral and elegiac traditions in Lycidas that Milton first came face to face with the frustrations and pressures which were to change the future course of his life. |
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Página 14
... course , the only connection between the seventh Idyl and the ninth Eclogue . As Michael C. J. Putnam has emphasized , the Latin work closely resembles the Greek in setting if not in theme . For instance , although neither of them is an ...
... course , the only connection between the seventh Idyl and the ninth Eclogue . As Michael C. J. Putnam has emphasized , the Latin work closely resembles the Greek in setting if not in theme . For instance , although neither of them is an ...
Página 71
... course , that if the swain is Milton then the voice at the end must belong to someone else , and vice - versa . It seems to me , on the contrary , that Lycidas is the expression of a con- sciousness that grows increasingly divided as ...
... course , that if the swain is Milton then the voice at the end must belong to someone else , and vice - versa . It seems to me , on the contrary , that Lycidas is the expression of a con- sciousness that grows increasingly divided as ...
Página 77
... course , the transfiguration of those shattered leaves into a fully mature and articulate song parallels the apotheosis of its subject . 10 " Lycidas : the Swain's Paideia , " Milton Studies , 3 ( 1971 ) , 7-8 . 11 The phrase occurs in ...
... course , the transfiguration of those shattered leaves into a fully mature and articulate song parallels the apotheosis of its subject . 10 " Lycidas : the Swain's Paideia , " Milton Studies , 3 ( 1971 ) , 7-8 . 11 The phrase occurs in ...
Contenido
CHAPTER | 5 |
CHAPTER FIVE | 36 |
CHAPTER SEVEN | 50 |
Derechos de autor | |
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Términos y frases comunes
Ageanax allusion Amaryllis Apollo argue beginning blest Kingdoms meek blind Fury Brinsley Bucolica chaste chastity Christian classical Claudius Aelianus commentators Comus critics Daphnis Daphnis and Gallus dead death echoes Edward King Epitaphium Damonis Eurydice final Friedman G. S. Fraser Greek Heinsius hideous roar homely slighted shepherd's Horton interpretation John Milton King's lament Latin laurel London Lycidas Lycoris M. H. Abrams MARTIN EVANS Mayerson Melanchthon Menalcas ment Milton's Lycidas Moeris Monodies mourn Muse myrtle myth Nativity Ode Neaera NOTES TO CHAPTER nymphs Orpheus ottava rima Paradise Lost passage pastoral elegy Patrem Patrides Peter's Phoebus poem's poet poet's poetry Press Priapus quote Ramus Reason of Church Renaissance Revelation Riccius seems Seriatim Servius sexual shepherd singing song speaker speech suggest thankless theme Theocritus thou tion Tityrus tradition translation uncouth swain Univ Variorum Commentary Venus verse Virgil's Eclogue Virgil's tenth Eclogue Virgilii vision visitors Vives voice writes