The Lost GirlCambridge University Press, 1981 M09 30 - 426 páginas The Cambridge edition of The Lost Girl uses the manuscript which D. H. Lawrence wrote in Sicily in 1920 to recapture his direct relationship with the text, and in particular to recover the characteristically fluent punctuation which the novel's original printers obscured or ignored. The edition prints all four of the passages which the publisher censored without Lawrence's full knowledge and the hero's name is correctly spelled for the first time in an English edition. The novel is set mainly in the Eastwood of Lawrence's youth, the full annotation identifies a great many real-life characters and settings. John Worthen's introduction gives an accurate account of The Lost Girl's development, composition and publication, and the influence upon the book of Lawrence's desire to write a commercially successful novel. The textual apparatus records all variant readings. |
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Página xx
... felt ' superior to retail business ' , with the result that his ' prosperity had dribbled away'.13 His situation , and that of his household , are reproduced down to the smallest details in ' Elsa Culverwell ' , and again in The Lost ...
... felt ' superior to retail business ' , with the result that his ' prosperity had dribbled away'.13 His situation , and that of his household , are reproduced down to the smallest details in ' Elsa Culverwell ' , and again in The Lost ...
Página xxvii
... felt he could complete ' The Insurrection ' both quickly and safely ; and he very much needed an income from his writing , after the lean years of the war . The post to Capri was extremely bad in the early months of 1920 ; it denied ...
... felt he could complete ' The Insurrection ' both quickly and safely ; and he very much needed an income from his writing , after the lean years of the war . The post to Capri was extremely bad in the early months of 1920 ; it denied ...
Página xlvi
... felt it did not represent Lawrence at his best . They had to evaluate his previous work , and they had to define why The Rainbow , which had been so widely condemned in 1915 , made The Lost Girl seem inadequate in 1920. The Westminster ...
... felt it did not represent Lawrence at his best . They had to evaluate his previous work , and they had to define why The Rainbow , which had been so widely condemned in 1915 , made The Lost Girl seem inadequate in 1920. The Westminster ...
Página liii
... felt that such cuts were a matter for him rather than for his author , for when cuts in Women in Love were being discussed Secker referred to ' small excisions , which I could carry through without further reference to Mr Lawrence ...
... felt that such cuts were a matter for him rather than for his author , for when cuts in Women in Love were being discussed Secker referred to ' small excisions , which I could carry through without further reference to Mr Lawrence ...
Página 4
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Lo sentimos, el contenido de esta página está restringido..
Contenido
THE LOST GIRL | 1 |
ELSA CULVERWELL | 341 |
EXPLANATORY NOTES | 359 |
TEXTUAL APPARATUS | 403 |
A note on pounds shillings and pence | 426 |
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Términos y frases comunes
Allaye Alvina Alvina sat asked beautiful began Catherine Carswell cauce chapel Cicc Ciccio cold Compton Mackenzie copies cried curious D. H. Lawrence dark DHL's recreation door Dr Mitchell Eastwood edition Elsa Culverwell England English everything eyes face father feel felt fingers French Geoffrey gone grey hair hand head Italian Italy James Houghton Kishwégin kissed Knarborough knew laughed Lawrence Lawrence's Letter to Secker looked Lost Girl Louis Madame Madame's Manchester House marry matron Miss Frost Miss Houghton Miss Niell Miss Pinnegar morning mother Mountsier Natcha-Kee-Tawara never nodded Nottingham novel nurse pale Pancrazio piano Picinisco poor rose round seemed Seltzer smiled Sons and Lovers sort stood strange sure talking things Throttle-Ha'penny took Tuke turned Vaali voice waiting watched Witham woman Women in Love wonderful Woodhouse yellow young