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a society, in which, of all others, a wise man might be most foolish, without incurring any danger of contempt.
Parnell is only to be considered as a poet; and the universal esteem in which his poems are held, and the reiterated pleasure they give in the perusal, are a sufficient test of their great merit. He appears to me to be the last of that great school that had modelled itself upon the ancients, and taught English poetry to resemble what the generality of mankind have allowed to excel. A studious and correct observer of antiquity, he set himself to consider nature with the lights it lent him; and he found that the more aid he borrowed from the one, the more delightfully he resembled the other. To copy nature, is a task the most bungling workman is able to execute; to select such parts as contribute to delight, is reserved only for those, whom accident has blessed with uncommon talents, or such as have read the ancients with indefatigable industry. Parnell is ever happy in the selection of his images, and scrupulously careful in the choice of his subjects. His productions bear no resemblance to those tawdry things, which it has for some time been the fashion to admire; in writing which the poet sits down without any plan, and heaps up splendid images without any selection; where the reader grows dizzy with praise and admiration, and yet soon grows weary, he can scarce tell why. Our poet, on the contrary, gives out his beauties with a more sparing hand; he is still carrying his reader forward, and just gives him refreshment sufficient to support him to his journey's end. At the end of his course the reader regrets that his way has been so short: he wonders that it gave him so little trouble; and so resolves to go the journey over again.
His poetical language is not less correct than his subjects are pleasing. He found it at that period in which it was brought to its highest pitch of refinement; and ever since his time, it has been gradually debasing. It is indeed amazing, after what has been done by Dryden, Addison, and Pope, to improve and harmonize our native tongue, that their successors should have taken so much pains to involve it in pristine barbarity. These misguided innovators have not been content with restoring antiquated words and phrases, but have indulged themselves in the most licentious transpositions, and the harshest constructions; vainly imagining, that the more their writings are unlike prose, the more they resemble poetry. They have adopted a language of their own, and call upon mankind for admiration. All those who do not understand them are silent, and those who make out their meaning are willing to praise, to show they understand. From these follies and affectations the poems of Parnell are entirely free; he has considered the language of poetry as the language of life, and conveys the warmest thoughts in the simplest expressions.