Came forth with pilgrim steps in amice gray, Not dissimilar is the justly admired description of evening coming on, Par. Lost, iv. 598. Now came still Evening on, and clad. 430 428. Who with her radiant finger still'd the roar Of thunder, chas'd the clouds, &c.] This is a very pretty imitation Sic ait, et dicto citius tumida æquora reducit. There is the greater beauty in the English poet, as the scene he is describing under this charming figure is perfectly consistent with the course of nature, nothing being more common than by a pleasant serene morning. to see a stormy night succeeded Thyer. We have here the ῥοδοδάκτυλος Homer and Hesiod; but the Has, the rosy-fingered Aurora of image, which in them is only pleasing, is here almost sublime. Dunster. injudicious to retail this popular 430. And grisly spectres,] Very superstition in this place. War burton. 432. And now the sun &c.] the bloom of Milton's youthful There is in this description all fancy. See an evening scene of the same kind in the Paradise Lost, ii. 488. Had cheer'd the face of earth, and dried the wet Who all things now behold more fresh and green, 435 After a night of storm so ruinous, Clear'd up their choicest notes in bush and spray To gratulate the sweet return of morn ; Nor yet amidst this joy and brightest morn The prince of darkness, glad would also seem As when from mountain tops &c. Thyer. Compare also part of Spenser's Sonnet xl. -the fair sunshine in summer's day, That when a dreadful storm away is flit, Through the broad world doth spread his goodly ray; At sight whereof each bird that sits on spray, And every beast that to his den was filed, Came forth afresh out of their late dismay, And to the light lift up their drooping head. 440 445 435. Who all things now behold] Doth not the syntax require, that we should rather read Who all things now beheld? 449.-in wonted shape,] That is, in his own proper shape, and not under any disguise, as at each of the former times when he appeared to our Lord. He comes now hopeless of success, without device or disguise, and, as the And the following stanza in poet expressly says, When, goddess, thou lift'st up thy Out of the morning's purple bed, Desperate of better course, to vent his rage And mad despite to be so oft repell'd. P And in a careless mood thus to him said. 450 Fair morning yet betides thee, Son of God, After a dismal night; I heard the wrack As earth and sky would mingle; but myself Was distant; and these flaws, though mortals fear them As dang'rous to the pillar'd frame of heaven, Mr. Dunster may be right in this; but there is perhaps an obscurity as to the degree of concealment assumed by Satan at different periods in the course of these temptations, which we shall in vain endeavour to clear up. At first indeed he appears disguised as an aged man in rural weeds, b. i. 314; and it would seem from v. 498. that he retained that disguise till his disappearance, at the end of the first book. But in the interval he had answered undisguised, 'Tis true I am that spirit unfortunate, &c. b. i. 358. So again, at his next appearance he stood before Christ as a man, not rustic as before, but seemlier clad, &c. b. ii. 298. yet he accosts Jesus under his former character, With granted leave officious I return, &c. ii. 301. As indeed his super-human power was displayed in the sudden appearance and disappearance of the regal banquet, 337, 401. as well as by his conveying our Lord to the specular mount, and back again through the air to the wilderness, b. iii. 251, 394. And he had a second time openly declared his proper character, when he proposed the conditions on which he would be 455 stow the kingdoms of the world, 155-194. His wonted shape may very well therefore be understood of that in which he had now for so long a time conversed with Jesus. But it may be better to leave such matters undetermined. Milton did not display any want of judgment, considering the peculiar difficulties of his subject, if he designedly left these things unexplained. E. 453. As earth and sky would mingle;] Virgil, Æn. i. 137. Jam cælum terramque, meo sine numine, venti, Miscere, et tantas audetis tollere moles? Or to the earth's dark basis underneath, And harmless, if not wholesome, as a sneeze This tempest at this desert most was bent; Of gaining David's throne no man knows when, 467. Did I not tell thee, &c.] This sentence is dark and perplexed, having no proper exit. 467. The whole passage, from v. 467 to 483, should be compared with the conclusion of the previous conversation, v. 368393, to which Satan manifestly refers. It will then be evident that the sense of the passage is sufficiently complete, and that Satan now repeats what he had before expressed, his conviction 460 465 470 475 of the pains and dangers which awaited Jesus, if he persisted in rejecting his offered aid, now at full age, fulness of time, his season, when prophecies of him were best fulfilled. E. 478. many an hard assay] Thus, b. i. 263. -that my way must lie Through many a hard assay unto the death. Dunster. What I foretold thee, many a hard assay Ere thou of Israel's sceptre get fast hold; So many terrors, voices, prodigies May warn thee, as a sure fore-going sign. So talk'd he while the Son of God went on As false portents, not sent from God, but thee; 480 485 490 At least might seem to hold all pow'r of thee, Ambitious Spirit, and would'st be thought my God, 495 And storm'st refus'd, thinking to terrify Me to thy will; desist, thou art discern'd And toil'st in vain, nor me in vain molest. To whom the Fiend now swoln with rage replied. Then hear, O Son of David, virgin-born; 500. Then hear, O Son of Duvid, &c.] This last speech of Satan is particularly worthy of our notice. The Fiend "swoln with rage" at the repeated failure of his attacks, breaks out into the language of gross insult, professing to doubt whether our Lord, whom he had before frequently addressed as the Son of God, is in any way entitled to that appellation. From this wantonly 500 blasphemous obloquy he still recovers himself, and offers with his usual art a qualification of what he had last said, and a justification of his persisting in further attempts on the divine person, by whom he had been so constantly foiled. These are the masterly discriminating touches, with which the poet has admirably drawn the character of the Tempter: the general colouring |