 | Hermann Ludwig F. von Helmholtz - 1875 - 900 páginas
...rises or falls in insensible gradations without any break, we have nothing to measure the variations of pitch, nothing by which we can compare the later with...change. The whole phenomenon produces a confused, unpleasant impression. The musical scale is as it were the divided rod, by which we measure progression... | |
 | William Pole - 1879 - 346 páginas
...and its pitch rises or falls, in continuous gradation, we have nothing to define the variations of pitch, nothing by which we can compare the later with...rhythm measures progression in time. Helmholtz shows, hy a quotation from Aristotle, that the ancients had this idea of the analogy between the scale of... | |
 | Hermann von Helmholtz - 1885 - 608 páginas
...rises or falls in insensible gradations without any break, we have nothing to measure the variations of pitch, nothing by which we can compare the later with...change. The whole phenomenon produces a confused, unpleasant impression. The musical scale is as it were the divided rod, by which wo measure progression... | |
 | William Pole - 1895 - 360 páginas
...and its pitch rises or falls, in continuous gradation, we have nothing to define the variations of pitch, nothing by which we can compare the later with...progression in pitch, just as rhythm measures progression in time.1 Helmholtz shows, by a quotation from Aristotle, that the ancients had this idea of the analogy... | |
 | Wallace Clement Sabine - 1922 - 302 páginas
...rises or falls in insensible gradations without any break, we have nothing to measure the variations of pitch, nothing by which we can compare the later with...change. The whole phenomenon produces a confused, unpleasant impression. The musical scale is as it were the divided rod, by which we measure progression... | |
 | Wallace Clement Sabine - 1922 - 304 páginas
...rises or falls in insensible gradations without any break, we have nothing to measure the variations of pitch, nothing by which we can compare the later with...change. The whole phenomenon produces a confused, unpleasant impression. The musical scale is as it were the divided rod, by which we measure progression... | |
 | 1925 - 1042 páginas
...gradations without any break, we have nothing to measure the variations of pitch, nothing by which we may compare the later with the earlier sounds, and comprehend...change. The whole phenomenon produces a confused, unpleasant impression. . . . We consequently find the most complete agreement among all nations that... | |
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When the wind howls and its pitch rises or falls in insensible gradations without any break, we have nothing to measure the variations of pitch, nothing by which we can compare the later with the earlier sounds, and comprehend the extent of the change.... 