Blake's Prelude: "Poetical Sketches"Johns Hopkins University Press, 1982 - 202 páginas |
Dentro del libro
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Página 54
... conventional Petrarchan love - story [ which ] has the ambiguous tone of one . " 41 As such it stands in contrast to the " harmony " of Love and Harmony Combine , which emblemizes a conventional pastoral marriage in two intertwined ...
... conventional Petrarchan love - story [ which ] has the ambiguous tone of one . " 41 As such it stands in contrast to the " harmony " of Love and Harmony Combine , which emblemizes a conventional pastoral marriage in two intertwined ...
Página 133
... conventional " wisdom " were not suspect in light of the seasons anticycle , the diurnal anti - epithalamia , and the seeming perverse- ness of Mad Song ( not to mention the implicit attack on theocratic sin in The Couch of Death ) , I ...
... conventional " wisdom " were not suspect in light of the seasons anticycle , the diurnal anti - epithalamia , and the seeming perverse- ness of Mad Song ( not to mention the implicit attack on theocratic sin in The Couch of Death ) , I ...
Página 189
... conventional role . Bruising the serpent's head is mentioned a number of times by Milton , but the one in Book XII of Paradise Lost is the one Blake surely had in mind here : " thy great Deliverer , who shall bruise / The Serpent's head ...
... conventional role . Bruising the serpent's head is mentioned a number of times by Milton , but the one in Book XII of Paradise Lost is the one Blake surely had in mind here : " thy great Deliverer , who shall bruise / The Serpent's head ...
Contenido
The Muses of Memory | 16 |
Antithetical Structure | 37 |
Cycle and Anticycle | 57 |
Derechos de autor | |
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Términos y frases comunes
allusion Angel of Apocalypse antithetical Autumn Bible Blake's Blake's Early Blake's later Blake's poem Blake's Poetical Sketches Blake's seasons Book borrowed Chatterton's Christ cited Comus Contemplation context contrast conventional Couch of Death critical dark despite diction dramatic earth echo Edward the Third eighteenth century Epithalamion Erdman Essays Essick eternal Faerie Queene Fair Elenor Foster Damon Four Zoas Frye Geoffrey Keynes glory Gothic Gwin Harold Bloom Hartman heaven imaginative imitation Jerusalem King Edward language least light lines Lowery Mad Song Milton Morning Muses nature Ossian Paradise Lost Paradise Regained passage pastoral Penseroso perhaps phrase poet Poetic Genius Poetical Sketches poetry Prologue prophecy Prophet Against Empire Samson Agonistes Satan says seasons poems seems sense Songs of Innocence speaker Spenser Spenserian Spring stanza Star structure suggested sweet Thomson tion tradition truth verse vision Visionary voice William Blake Winter Wittreich words youth