Blake's Prelude: "Poetical Sketches"Johns Hopkins University Press, 1982 - 202 páginas |
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Página 107
... course , but this powerful evocation may suggest something of how the play might have developed had Blake decided to pursue what he had begun so eloquently . What does develop in the play as it stands , as I have suggested , orbits ...
... course , but this powerful evocation may suggest something of how the play might have developed had Blake decided to pursue what he had begun so eloquently . What does develop in the play as it stands , as I have suggested , orbits ...
Página 170
... course ( PL VII , 478 ) , but I should hesitate to go so far as Simmons and Warner in identifying Blake's rhyme words , “ pride ” and “ glide ” as the “ sin and sinuous movement of the prince of lies himself , " Milton's Satan ...
... course ( PL VII , 478 ) , but I should hesitate to go so far as Simmons and Warner in identifying Blake's rhyme words , “ pride ” and “ glide ” as the “ sin and sinuous movement of the prince of lies himself , " Milton's Satan ...
Página 173
... course a major part of the Epithalamion ritual , but Blake may also be taking a wry look at Thomson's " Industry " whose " hardened fingers deck the gaudy Spring " ( Autumn , 1. 146 ) . 35. Lowery , Windows of the Morning , p . 151 ...
... course a major part of the Epithalamion ritual , but Blake may also be taking a wry look at Thomson's " Industry " whose " hardened fingers deck the gaudy Spring " ( Autumn , 1. 146 ) . 35. Lowery , Windows of the Morning , p . 151 ...
Contenido
The Muses of Memory | 16 |
Antithetical Structure | 37 |
Cycle and Anticycle | 57 |
Derechos de autor | |
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Términos y frases comunes
allusion Angel of Apocalypse antithetical Autumn Bible Blake's Blake's Early Blake's later Blake's poem Blake's Poetical Sketches Blake's seasons Book borrowed Chatterton's Christ cited Comus Contemplation context contrast conventional Couch of Death critical dark despite diction dramatic earth echo Edward the Third eighteenth century Epithalamion Erdman Essays Essick eternal Faerie Queene Fair Elenor Foster Damon Four Zoas Frye Geoffrey Keynes glory Gothic Gwin Harold Bloom Hartman heaven imaginative imitation Jerusalem King Edward language least light lines Lowery Mad Song Milton Morning Muses nature Ossian Paradise Lost Paradise Regained passage pastoral Penseroso perhaps phrase poet Poetic Genius Poetical Sketches poetry Prologue prophecy Prophet Against Empire Samson Agonistes Satan says seasons poems seems sense Songs of Innocence speaker Spenser Spenserian Spring stanza Star structure suggested sweet Thomson tion tradition truth verse vision Visionary voice William Blake Winter Wittreich words youth