Blake's Prelude: "Poetical Sketches"Johns Hopkins University Press, 1982 - 202 páginas |
Dentro del libro
Resultados 1-3 de 34
Página 12
... imaginative experience . To claim that all of the poems in Poetical Sketches achieve this end is as absurd as settling comfortably for the relative excellence of their imitative , emulative , or assimilative values . I make no such ...
... imaginative experience . To claim that all of the poems in Poetical Sketches achieve this end is as absurd as settling comfortably for the relative excellence of their imitative , emulative , or assimilative values . I make no such ...
Página 38
... imaginative unity . In this light it is not without interest , then , that Blake never employs the word " contrast " as verb or noun in his poetry . Somewhere between the reductiveness of this complementarity and the intellectual ...
... imaginative unity . In this light it is not without interest , then , that Blake never employs the word " contrast " as verb or noun in his poetry . Somewhere between the reductiveness of this complementarity and the intellectual ...
Página 69
... imaginative perception akin to the creative act itself . I have said that Blake's vision is complete with the end of To Autumn , in its totality inherent in and symbolized by Autumn's " golden load " as well as ontologically verified by ...
... imaginative perception akin to the creative act itself . I have said that Blake's vision is complete with the end of To Autumn , in its totality inherent in and symbolized by Autumn's " golden load " as well as ontologically verified by ...
Contenido
The Muses of Memory | 16 |
Antithetical Structure | 37 |
Cycle and Anticycle | 57 |
Derechos de autor | |
Otras 6 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
allusion Angel of Apocalypse antithetical Autumn Bible Blake's Blake's Early Blake's later Blake's poem Blake's Poetical Sketches Blake's seasons Book borrowed Chatterton's Christ cited Comus Contemplation context contrast conventional Couch of Death critical dark despite diction dramatic earth echo Edward the Third eighteenth century Epithalamion Erdman Essays Essick eternal Faerie Queene Fair Elenor Foster Damon Four Zoas Frye Geoffrey Keynes glory Gothic Gwin Harold Bloom Hartman heaven imaginative imitation Jerusalem King Edward language least light lines Lowery Mad Song Milton Morning Muses nature Ossian Paradise Lost Paradise Regained passage pastoral Penseroso perhaps phrase poet Poetic Genius Poetical Sketches poetry Prologue prophecy Prophet Against Empire Samson Agonistes Satan says seasons poems seems sense Songs of Innocence speaker Spenser Spenserian Spring stanza Star structure suggested sweet Thomson tion tradition truth verse vision Visionary voice William Blake Winter Wittreich words youth