The Lives of the Most Eminent British Painters and Sculptors, Volumen2J. & J. Harper, 1831 |
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Página 12
... lived at Springfield , began to be spoken of ; and Mr. Flower , a justice of Chester , looked at his works , and obtained leave from his parents to take him for a few weeks to his house . A young English lady was governess to his ...
... lived at Springfield , began to be spoken of ; and Mr. Flower , a justice of Chester , looked at his works , and obtained leave from his parents to take him for a few weeks to his house . A young English lady was governess to his ...
Página 39
... lived . How he contrived both to keep his place in the King's opinion , and the respect of the spirits who stirred in the American revolution , he has not told us , but it is not difficult to guess . He was of a nature cold and ...
... lived . How he contrived both to keep his place in the King's opinion , and the respect of the spirits who stirred in the American revolution , he has not told us , but it is not difficult to guess . He was of a nature cold and ...
Página 94
... lived sullenly and alone , and held intercourse with few of those men who influence the fame and fortune of artists . He seemed ever in a revery , out of which he was unwilling to be roused . The history of his life is the tale of ...
... lived sullenly and alone , and held intercourse with few of those men who influence the fame and fortune of artists . He seemed ever in a revery , out of which he was unwilling to be roused . The history of his life is the tale of ...
Página 110
... lived alone in a house which was never cleaned ; and he slept on a bedstead with no other furniture than a blanket nailed on the one side . I wanted him to visit me - no , he said ; he could not go out by day , because he could not ...
... lived alone in a house which was never cleaned ; and he slept on a bedstead with no other furniture than a blanket nailed on the one side . I wanted him to visit me - no , he said ; he could not go out by day , because he could not ...
Página 112
... lived in hostility ; but in the contest the former alone had been the sufferer . Admiration of the an- tique , and of Michael Angelo , had brought Barry to a steak broiled with his own hands , and a pot of porter drawn by a suspicious ...
... lived in hostility ; but in the contest the former alone had been the sufferer . Admiration of the an- tique , and of Michael Angelo , had brought Barry to a steak broiled with his own hands , and a pot of porter drawn by a suspicious ...
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Términos y frases comunes
admired Amelia Opie appeared artist Barry Barry's beauty Benjamin West Bird Blake brethren Burke called character colours companion compositions copy death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham finished formed fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell Henry Fuseli historical honour imagination imbodied invention kind King knew labour lived London looked Lord Lord Grosvenor Majesty master merit Michael Angelo Milton mind Morland nature never Opie original painter painting pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare productions Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakspeare Sir Joshua Sir Joshua Reynolds Sistine Chapel sketches skill spirit talents taste temper thing thought tion Titian tures visions West wife wild wish Wolcot young
Pasajes populares
Página 72 - Barry, that the arms with which the ill dispositions of the world are to be combated, and the qualities by which it is to be reconciled to us, and we reconciled to it, are moderation, gentleness, a little indulgence to others, and a great deal of distrust of ourselves ; which are not qualities of a mean spirit, as some may possibly think them ; but virtues of a great and noble kind, and such as dignify our nature, as much as they contribute to our repose and fortune; for nothing can be so unworthy...
Página 142 - This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil.
Página 232 - In painting, he contented himself with negative colour, and as the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter, scattered into infinity of jarring parts by Bramanti and his successors, he concentrated, suspended the cupola, and to the most complex gave the air of the most simple of edifices.
Página 137 - but not before last night. I was walking alone in my garden, there was great stillness among the branches and flowers, and more than common sweetness in the air ; I heard a low and pleasant sound, and knew not whence it came.
Página 34 - When it was understood," said the artist, "that T intended to paint the characters as they had actually appeared on the scene, the Archbishop of York called on Reynolds, and asked his opinion; they both came to my house to dissuade me from running so great a risk. Reynolds began a very ingenious and elegant dissertation on the state of the public taste in this country, and the danger which every innovation incurred of contempt and ridicule, and concluded by urging...
Página 144 - How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflexions and movements?
Página 143 - The characters of Chaucer's Pilgrims are the characters which compose all ages and nations: as one age falls, another rises, different to mortal sight, but to immortals only the same; for we see the same characters repeated again and again, in animals, vegetables, minerals, and in men; nothing new occurs in identical existence; Accident ever varies, Substance can never suffer change nor decay. Of Chaucer's characters, as described in his Canterbury Tales...
Página 143 - Belvidere, and all the grand works of ancient art. They were executed in a very superior style to those justly admired copies, being with their accompaniments terrific and grand in the highest degree. The Artist has endeavoured to emulate the grandeur of those seen in his vision, and to apply it to modern Heroes, on a smaller scale.
Página 231 - A beggar rose from his hand the patriarch of poverty ; the hump of his dwarf is impressed with dignity ; his women are moulds of generation ; his infants teem with the man ; his men are a race of giants. This is the
Página 102 - ... the meaner sort of painters, who counterfeit only such faces as are set before them, and the more excellent, who, having no law but wit, bestow that in colours upon you which is fittest for the eye to see...