 | 1846 - 292 páginas
...How do we distinjnish the oak from the beech; the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another,...bounding line and its infinite inflexions and movements 1 Leave out this line and you leave out life itself: all is chaos again, and the line of the Almighty... | |
 | Alexander Gilchrist, Anne Burrows Gilchrist - 1863 - 366 páginas
...do wo distinguish the oak from the beech, the horse, from the ox, but by the bounding outline? How do we distinguish one face or countenance from another,...bounding line, and its infinite inflexions and movements 1 What is it that builds a house and plants a garden, but the definite and determinate ! What is it... | |
 | William Blake - 1885 - 302 páginas
...How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflections and movements? What is it that builds a house and plants a garden but the definite and... | |
 | Allan Cunningham - 1886 - 360 páginas
...do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline ? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflections and movements ? Leave out this line, and you leave out life itself : all is chaos again,... | |
 | William Blake - 1893 - 324 páginas
...do we distinguish the oak from the beech, ihc horse from the ox, but by the bounding outline ? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflections and movement* T What is it that builds a house and plants a garden but the definite and... | |
 | Arthur Symons - 1907 - 418 páginas
...out this line (the bounding line, Blake calls it, the hard and wiry line of rectitude and certainty) and you leave out life itself; all is chaos again, and the line of the Almighty must be drawn oat upon it before man or beast can exist.' Strauss, it seems to me, lacks this rectitude and certainty... | |
 | Edwin John Ellis - 1907 - 500 páginas
...How do we distinguish the oak from the beech, the horse from the ox but by the bounding outline 1 How do we distinguish one face or countenance from another but by the bounding line and its infinite inflexion and movements ? What is it that builds a house and plants a garden but the definite and determinate... | |
 | Edwin John Ellis - 1907 - 502 páginas
...How do we distinguish the oak from the beech, the horse from the ox but by the bounding outline ? How do we distinguish one face or countenance from another but by the bounding line and its infinite inflexion and movements ? What is it that builds a house and plants a garden but the definite and determinate... | |
 | Edwin John Ellis - 1907 - 542 páginas
...honesty from knavery but the hard ami wiry line of rectitude and certainty in the actions and intentions? Leave out this line, and you leave out life itself. All is chaos again, and the Hue of the Almighty must be drawn out upon it again before man or beast can exist. Talk no more then... | |
 | Arthur Symons - 1907 - 460 páginas
...do \ve distinguish the oak from the beech ; the horse from the ox, but by the bounding outline ? How do we distinguish one face or countenance from another, but by the bounding line and its inf1nite inflexions and movements ? Leave out this line and you leave out life itself: all is chaos... | |
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How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflexions and movements? 
