Thomas Hardy, Towards a Materialist CriticismChallenging the generally accepted critical constructions of the novels of Thomas Hardy, this book explores the historical, social, aesthetic and ideological determinants of Hardy's novels. Analyzing the ways in which Hardy's writings have been variously reproduced in literary criticism to produce certain social and ideological effects. Wotton also discusses the relation between Hardy's writing and Hardy criticism. |
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Contenido
Introduction | 1 |
The Radical Separation | 15 |
The Discourses of Hegemony | 26 |
The Ideology of the Thinking World and the Production of Wessex | 35 |
The Aesthetic Project and the Community of Labour | 46 |
The Sovereignty of the Subject and the World of the Workfolk | 60 |
The Structure of Perceptions | 77 |
Moments of Vision | 89 |
Being and Consciousness The Imaginary Resolution | 132 |
Separation and Evaluation Thomas Hardys Curiously Qualified Greatness | 145 |
Revelation Chance Change and the Reproduction of Thomas Hardy | 156 |
The Production of Meaning Hardys Women and the Eternal Feminine | 170 |
Exclusion and Repression The Choric Rumination of Hardys Charming Puppets | 184 |
Thomas Hardy and the Reproduction of the Relations of Production | 194 |
Conclusion | 208 |
Notes | 214 |
The Radical Separation and the Conflict of Perceptions | 112 |
The Appearance of Women and the Construction of Woman | 122 |
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Términos y frases comunes
activated aesthetic aesthetic ideology appears basis become called Capital century chapter characters complex concept condition consciousness constitutes construction continuous contradiction course criticism culture determined discourse dominant effect English essential existence experience expression eyes face fact final forces function gaze hand Hardy's writing human idea idealizing ideological important individual intention Jude knowledge labour language literary Literature lives London material materialist meaning namely nature novels object observed perceived perception philosophy point of view position practice present production radical reader reality reflection relations relationship represents reveals rural seen sense separation sight simply social society specific structure of perceptions suggests Tess things thinking Thomas Hardy thought tion tradition transformation true unity universal vision Wessex woman women workfolk wrote