Supported him-no pulse, or breath they found, 310 And, in its marriage robe, the heavy body wound.

311 The following extract is appended in Keats's edition as a note to the last line :

"Philostratus, in his fourth book de Vita Apollonii, hath a memorable instance in this kind, which I may not omit, of one Menippus Lycius, a young man twenty-five years of age, that going betwixt Cenchreas and Corinth, met such a phantasm in the habit of a fair gentlewoman, which, taking him by the hand, carried him home to her house, in the suburbs of Corinth, and told him she was a Phoenician by birth, and if he would tarry with her, he should hear her sing and play, and drink such wine as never any drank, and no man should molest him; but she, being fair and lovely, would live and die with him, that was fair and lovely to behold. The young man, a philosopher, otherwise staid and discreet, able to moderate his passions, though not this of love, tarried with her a while to his great content, and at last married her, to whose wedding, amongst other guests, came Apollonius; who, by some probable conjectures, found her out to be a serpent, a lamia; and that all her furniture was, like Tantalus' gold, described by Homer, no substance but mere illusions. When she saw herself descried, she wept, and desired Apollonius to be silent, but he would not be moved, and thereupon she, plate, house, and all that was in it, vanished in an instant : many thousands took notice of this fact, for it was done in the midst of Greece."

Burton's 'Anatomy of Melancholy,' Part 3. Sect. 2.

Memb. 1. Subs. I.

KEATS

ISABELLA;

OR,

THE POT OF BASIL.

A Story from Boccaccio.

I.

FAIR Isabel, poor simple Isabel!

Lorenzo, a young palmer in Love's eye! They could not in the self-same mansion dwell Without some stir of heart, some malady; They could not sit at meals but feel how well It soothed each to be the other by ;

They could not, sure, beneath the same roof sleep But to each other dream, and nightly weep.

II.

With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter

To her, than noise of trees or hidden rill ;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.

He knew whose gentle hand was at the latch
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

II 6 noise] sigh Holograph.

IV.

A whole long month of May in this sad plight Made their cheeks paler by the break of June: "To-morrow will I bow to my delight,

"To-morrow will I ask my lady's boon.""O may I never see another night,

"Lorenzo, if thy lips breathe not love's tune."So spake they to their pillows; but, alas, Honeyless days and days did he let pass;

V.

Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,

"And yet I will, and tell my love all plain: "If looks speak love-laws, I will drink her tears, "And at the least 'twill startle off her cares."

VI.

So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray

For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away-

Fever'd his high conceit of such a bride, Yet brought him to the meekness of a child: Alas! when passion is both meek and wild!

VII.

So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed

To every symbol on his forehead high;

She saw it waxing very pale and dead,

And straight all flush'd; so, lisped tenderly,

IV 6 Lorenzo, if thy tongue speak not love's tune. Holograph. VI Opposite the close of this stanza, in the Woodhouse transcript, Keats has written in pencil Stop this as you please.

VII The word said stands cancelled before lisped (line 6) in the holograph, in whick, as in the transcript, the stanza closes with a different

"Lorenzo !"—here she ceas'd her timid quest, But in her tone and look he read the rest.

VIII.

"O Isabella, I can half perceive

“That I may speak my grief into thine ear; "If thou didst ever anything believe,

"Believe how I love thee, believe how near "My soul is to its doom: I would not grieve

"Thy hand by unwelcome pressing, would not fear "Thine eyes by gazing; but I cannot live "Another night, and not my passion shrive.

IX.

"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:

Great bliss was with them, and great happiness
Grew, like a lusty flower in June's caress.

couplet from that of the text and is followed by a stanza ultimately rejected : here are the ten cancelled lines

"Lorenzo, I would clip my ringlet hair
To make thee laugh again and debonnair."
"Then should I be," said he, "full deified;
And yet I would not have it, clip it not:
For, lady, I do love it where 'tis tied

About the neck I dote on, and that spot
That anxious dimple it doth take a pride
To play about-Aye lady, I have got
Its shadow in my heart and every sweet
Its mistress owns there summed all complete.

In another handwriting, on the blank page opposite this passage in the holograph, stand the verses

Lorenzo in the twilight Morn was wont

To rouse the clamorous Kennel to the Hunt;

And then his cheek inherited the Ray

Of the outpouring Sun; and ere the Horn
Could call the Hunters to the Chace away

His voice more softly woke me: Many a Morn
From sweetest Dreams it drew me to a Day

More sweet; but now Lorenzo holds in scorn
His Health; and all those bygone Joys are Dreams
To me to him, I mean-so chang'd he seems.

X.

Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair

Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.

All close they met again, before the dusk

Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,

Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.

Were they unhappy then?-It cannot be-
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,

Too many doleful stories do we see,

Whose matter in bright gold were best be read; Except in such a page where Theseus' spouse Over the pathless waves towards him bows.

XIII.

But, for the general award of love,

The little sweet doth kill much bitterness; Though Dido silent is in under-grove,

And Isabella's was a great distress,

Though young Lorenzo in warm Indian clove Was not embalm'd, this truth is not the lessEven bees, the little almsmen of spring-bowers, Know there is richest juice in poison-flowers.

XIV.

With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,