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Who copies your's, or Oxford's better part,
To case th' oppress'd, and raise the sinking heart?
Where'er he shines, oh Fortune, gild the scene,
And angels guard him in the golden mean!
There, English Bounty yet a while may stand,
And Honour linger ere it leaves the land.

But all our praises why should lords engross? Rise, honest Muse! and sing the MAN of Ross: 250 Pleas'd Vaga echoes through her winding bounds, And rapid Severn hoarse applause resounds. Who hung with woods yon mountain's sultry brow? From the dry rock who bade the waters flow? Not to the skies in useless columns tost, Or in proud fails magnificently lost,

260

But clear and artless pouring through the plain
Health to the sick, and solace to the swain.
Whose causeway parts the vale with shady rows?
Whose seats the weary traveller repose?
Who taught that heaven-directed spire to rise?
"The Man of Ross," each lisping babe replies.
Behold the market-place with poor o'erspread!
The Man of Ross divides the weekly bread:
He feeds von alms-house, neat, but void of state,
Where Age and Want sit smiling at the gate;
Him portion'd maids, apprentic'd orphans blest,
The young who labour, and the old who rest.
Is any sick? the Man of Ross relieves, [270
Prescribes, attends, the medicine makes, and gives.
Is there a variance? enter but his door,
Balk'd are the courts, and contest is no more.
Despairing quacks with curses fled the place,
And vile attorneys, now an useless race.

B. Thrice happy man! enabled to pursue
What all so wish, but want the power to do!
Oh say, what sums that generous hand supply?
What mines to swell that boundless charity?

P. Of debts and taxes, wife and children clear, This man possest-five hundred pounds a year. 280 Blush, Grandeur, blush! proud courts, withdraw your blaze!

Ye little stars! hide your diminish'd rays.

B. And what? no monument, inscription, stone? His race, his form, his name almost unknown? P. Who builds a church to God, and not to Fame, Will never mark the marble with his name: Go, search it there, where to be born and die, Of rich and poor makes all the history; Enough, that Virtue fill'd the space between; Prov'd by the ends of being, to have been. When Hopkins dies, a thousand lights attend The wretch, who living sav'd a candle's end; Shouldering God's altar a vile image stands, Belies his features, nay extends his hands; That live-long wig, which Gorgon's self might own Eternal buckle takes in Parian stone.

VARIATIONS.

990

Behold what blessings wealth to life can lend !

And see, what comfort it affords our end.

In the worst inn's worst room, with mat half-hung,

The floors of plaister, and the walls of dung,

300

After ver. 250, in the MS.

Trace humble worth beyond Sabrina's shore, Who sings not him, oh may he sing no more! Ver. 287. Thus in the MS.

The register inrolls him with his poor,

Tells he was born, and dy'd, and tells no more. Just as he ought, he fill'd the space between; The stole to rest, unheeded and unseen.

On once a flock-bed, but repair'd with straw,
With tape-ty'd curtains, never meant to draw,
The George and Garter dangling from that bed
Where tawdry yellow strove with dirty red,
Great Villers lies-alas how chang'd from him,
That life of pleasure, and that soul of whim!
Gallant and gay, in Cliveden's proud alcove,
The bower of wanton Shrewsbury and Love;
Or just as gay, at council, in a ring

Of mimick'd statesmen, and their merry king. 310
No wit to flatter, left of all his store!

No fool to laugh at, which he valued more. There, victor of his health, of fortune, friends, And fame, this lord of useless thousands ends.

His grace's fate sage Cutler could foresee, And well (he thought) advis'd him, “ Live like me!" As well his grace reply'd," Like you, sir John? That I can do, when all I have is gone."

Resolve me, Reason, which of these are worse,
Want with a full, or with an empty purse?
Thy life more wretched, Cutler, was confess'd,
Arise, and tell me, was thy death more bless`d?
Cutler saw tenants break, and houses fall,
For very want he could not build a wall.
His only daughter in a stranger's power,
For very want; he could not pay a dower.
A few grey hairs his reverend temples crown'd,
'Twas very want that sold them for two pound.
What! ev'n deny'd a cordial at his end,
Banish'd the doctor, and expell'd the friend? 530
What but a want, which you perhaps think mad,
Yet numbers feel, the want of what he had!
Cutler and Brutus dying, both exclaim,
"Virtue! and Wealth! what are ve but a name!"
Say, for such worth are other worlds prepar'd?
Or are they both, in this, their own reward?
A knotty point! to which we now proceed.
But you are tir'd-I'll tell a tale-B. Agreed.

P. Where London's column, pointing at the skies Like a tall bully, lifts the head, and lies; 340 There dwelt a citizen of sober fame,

[350

A plain good man, and Balaam was his name;
Religious, punctual, frugal, and so forth;
His word would pass for more than he was worth
One solid dish his week-day meal affords,
And added pudding solemniz'd the Lord's:
Constant at church, and Change; his gains were
His givings rare, save farthings to the poor. [sure,
The devil was piqu'd such saintship to behold,
And long'd to tempt him, like good Job of old;
But Satan now is wiser than of yore,
And tempts by making rich, not making poor.
Rous'd by the prince of air, the whirlwinds sweep
The surge, and plunge his father in the deep;
Then full against his Cornish lands they roar,
And two rich shipwrecks bless the lucky shore.
Sir Balaam now, he lives like other folks.
He takes his chirping pint, and cracks his jokes:
"Live like yourself," was soon my lady's word;
And lo! two puddings smoak'd upon the board.360
Asleep and naked as an Indian lay,

An honest factor stole a gem away:

320

He pledg'd it to the knight, the knight had wit, So kept the diamond, and the rogue was bit.

VARIATION.

Ver. 337. In the former editions,

That knotty point, my lord, shall I discuss, Or tell a tale?-a ta'e-it follows thns.

Some scruple rose, but thus he eas'd his thought,
"I'll now give sixpence where I gave a groat;
Where once I went to church, I'll now go twice-
And am so clear too of all other vice."
The tempter saw his time: the work he ply'd;
Stocks and subscriptions pour on every side,
Till all the demon makes his full descent
In one abundant shower of cent per cent,
Sinks deep within him, and possesses whole,
Then dubs director, and secures his soul.

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Behold sir Balaam, now a man of spirit, Ascribes his gettings to his parts and merit; What late he call'd a blessing, now was wit, And God's good providence, a lucky hit. Things change their titles, as our manners turn: His compting-house employ'd the Sunday morn: Seldom at church, ('twas such a busy life) But duly sent his family and wife. There (so the devil ordain'd) one Christmas-tide My good old lady catch'd a cold, and dy'd.

[380

[390

A nymph of quality admires our knight; He marries, bows at court, and grows polite : Leaves the dull cits, and joins (to please the fair) The well-bred cuckolds in St. James's air: First, for his son a gay commission buys, Who drinks, whores, fights, and in a duel dies: His daughter flaunts a viscount's tawdry wife; She bears a coronet and p-x for life. In Britain's senate he a seat obtains, And one more pensioner St. Stephen gains. My lady falls to play: so bad her chance, He must repair it; takes a bribe from France; The house impeach him, Coningsby harangues; The court forsake him, and sir Balaam hangs : Wife, son, and daughter, Satan! are thy own, His wealth, yet dearer, forfeit to the crown: 400 The devil and the king divide the prize, And sad sir Balaam curses God and dies.

EPSSTLE IV.

370

TO RICHARD BOYLE, EARL OF BURLINGTON.

ARGUMENT.

OF THE USE OF RICHES.

THE vanity of expense in people of wealth and quality. The abuse of the word taste, ver. 13. That the first principle and foundation in this, as in every thing else, is good sense, ver. 40. The chief proof of it is to follow Nature, even in works of mere luxury and elegance. Instanced in architecture and gardening, where all must be adapted to the genius and use of the place, and the beauties not forced into it, but resulting from it, ver. 50. How men are disappointed in their most expensive undertakings, for want of this true foundation, without which nothing can please long, if at all; and the best examples and rules will be but perverted into something burthensome and ridiculous, ver. 65, &c. to 92. A description of the false taste of magnificence; the first grand errour of which is, to imagine that greatness consists in the size and dimension, instead of the proportion and

harmony of the whole, ver. 97, and the second, either in joining together parts incoherent, or too minutely resembling, or in the repetition of the same too frequently, ver. 105, &c. A word or two of false taste in books, in music, in painting, even in preaching and prayer, and lastly in entertainments, ver. 133, &c. Yet Providence is justified in giving wealth to be squandered in this manner, since it is dispersed to the poor and laborious part of mankind, ver. 169, [recurring to what is laid down in the first book, Ep. ii. and in the Epistle preceding this, ver. 159, &c.] What are the proper objects of magnificence, and a proper field for the expense of great men, ver. 177, &c. and finally the great and public works which become a prince, ver. 191, to the end.

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EPISTLE IV.

THE extremes of avarice and profusion being treated of in the foregoing epistle; this takes up one particular branch of the latter, the vanity of expense in people of wealth and quality; and is therefore a corollary to the preceding, just as the epistle on the characters of women is to that of the knowledge and characters of men. It is equally remarkable for exactness of method with the rest. But the nature of the subject, which is less philosophical, makes it capable of being analyzed in a much narrower compass.

'TIS
strange, the miser should his cares employ
To gain those riches he can ne'er enjoy :
Is it less strange, the prodigal should waste
His wealth, to purchase what he ne'er can taste?
Not for himself he sees, or hears, or eats;
Artists must choose his pictures, music, meats:
He buys for Topham drawings and designs;
For Pembroke statues, dirty gods, and coins;
Rare monkish manuscripts for Hearne alone,
And books for Mead, and butterflies for Sloane. 10)
Think we all these are for himself? no more
Than his fine wife, alas! or finer whore.

For what has Virro painted, built, and planted? Only to show how many tastes he wanted. What brought sir Visto's ill-got wealth to waste? Some demon whisper'd, "Visto? have a taste." Heaven visits with a taste the wealthy fool, And needs no rod but Ripley with a rule. See! sportive Fate, to punish awkward pride, Bids Bubo build, and sends him such a guide: 20 A standing sermon, at each year's expense, That never coxcomb reach'd magnificence!

You show us, Rome was glorious, not profuse, And pompous buildings once were things of use. Yet shall (my lord) your just, your noble rules Fill half the land with imitating fools; Who random drawings from your sheets shall take And of one beauty many blunders make;

VARIATION.

After ver. 22, in the MS.

Must bishops, lawyers, statesmen, have the skill To build, to plant, judge paintings, what you will? Then why not Kent as well our treaties draw, Bridgman explain the gospel, Gibbs the law?

Load some vain church with old theatric state,
Turn arts of triumph to a garden-gate;
Reverse your ornaments, and hang them all
On some patch'd dog-hole ek d with ends of wall;
Then clap four slices of pilaster on 't,
That, lae'd with bits of rustic, makes a front.
Shall call the winds rough long arcades
Proud to catch cold at a Venetian door;
Conscious they act a true Palladian part,
And if they starve, they st rve by rules of art.

Oft have you hinted to your brother peer,
A certain truth, which many buy too dear:
Something there is more needful than expense,
And something previous ev'n to taste-'ti- sense:
Good sense, which only is the gift of Heaven,
And, though no science, fairly worth the seven :
A light which in yourself you must perceive;
Jones and Le Nôtre have it not to give.

At Timon's villa let us pass a day,

Where all cry out, “W, at sums are thrown away!”
So proud, so grand; of that stupendous air, [100
Soft and agreeable come never there.
Greatness, with Timon, dwells in such a draught
As brings all Brobdignag before your thought.
To compass this, his building is a town,
His pond an ocean, his parterre a down:
Who but must laugh, the master when he sees,
A puny insect, shivering at a breeze!

40

Lo, what huge heaps of littleness around!
The whole a labour'd quarry above grounda
Two Cupids squirt before: a lake behind
Improves the keenness of the northern wind.
His gardens next your admiration call,
On every side you look, behold the wall!
No pleasing intricacies intervene,
No artful wildness to perplex the scene;
Grove nods at grove, each alley has a brother,
And half the platform just reflects the other.
The suffering eye inverted Nature sees,
50 Trees cut to statues, statues thick as trees;
With here a fountain, never to be play'd;
And there a summer-house that knows no shade;
Here Amphitrite sails through myrtle bowers;
There gladiators fight, or die in flowers;
Unwater'd see the drooping sea-horse mourn,
And swallows roost in Nilus' dusty urn.

My lord advances with majestic mien,
Smit with the mighty pleasure to be seen:

But soft-by regular approach not yet- [130
First through the length of yon hot terrace sweat;
And when up ten steep slopes you've dragg'd your
Just at his study-door he'll bless your eyes. [thighs,
His study with what authors, is it stor❜d?
In books, not authors, curious is my lord;
To all their dated backs he turns you round;
These Aldus printed, those Du Sueil has bound.
To, some are vellum, and the rest as good
For all his lordship knows, but they are wood.
For Locke or Milton, 'tis in vain to look,
These shelves admit not any modern book.

30

roar,

To build, to plant, whatever you intend,
To
rear the column, or the arch to bend,
To swell the terrace, or to sink the grot;
In all, let Nature never be forgot:
But treat the goddess like a modest fair,
Nor over-dress, nor leave her wholly bare;
Let not each beauty every where be spy'd,
Where half the skill is decently to hide.
He gains all points, who pleasingly confounds,
Surprises, varies, and conceals the bounds.
Consult the genius of the place in all;
That tells the waters or to rise, or fall;
Ör helps th' ambitious hill the heavens to scale,
Or scoops in circling theatres the vale;
Calls in the country, catches opening glades,
Joins willing woods, and varies shades from shades;
Now breaks, or now directs th' intending lines;
Paints as you plant, and, as you work, designs.

60

Still follow sense, of every art the soul,
Parts answering parts shall slide into a whole,
Spontaneous beauties all around advance,
Start ev'n from difficulty, strike from chance;
Nature shall join you; Time shall make it grow
A work to wonder at-perhaps a Stow.

70

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Without it, proud Versailles! thy glory falls;
And Nero's terraces desert their walls:
The vast parterres a thousand hands shall make,
Lo! Cobham comes, and floats them with a lake:
Or cut wide views through mountains to the plain,
You'll wish your hill or shelter'd seat again.
Ev'n in an ornament its place remark,
Nor in an hermitage set Dr. Clarke.
Behold Villario's ten years toil complete;
His quincunx darkens, his espaliers meet; 80
The wood supports the plain, the parts unite,
And strength of shade contends with strength of
A waving glow the bloomy beds display, [light;
Blushing in bright diversities of day,
With silver-quivering rills meander'd o'er-
Enjoy them, you! Villario can no more;
Tir'd of the scene parterres and fountains yield,
He finds at last he better likes a field.

Through his young woods how pleas'd Sabinus
Or sate delighted in the thickening shade, [stray'd,
With annual joy the reddening shoots to greet, [90
Or see the stretching branches long to meet !
His son's fine taste an opener Vista loves,
Foe to the Dryads of his father's groves;
One boundless green, or flourish'd carpet views,
With all the mournful family of yews:
The thriving plants, ignoble broomsticks made,
Now sweep those alleys they were born to shade.

And now the chapel's silver bell you hear,
That summons you to all the pride of prayer:
Light quirks of music, broken and uneven,
Make the soul dance upon a jig to Heaven.
On painted cielings you devoutly stare,
Where sprawl the saints of Verrio or Laguerre,
Or gilded clouds in fair expansion lie,
And bring all Paradise before your eye.
To rest, the cushion and soft dean invite,
Who never mentions Hell to ears polite.

110

120

140

150

But hark! the chiming clocks to dinner call;
A hundred footsteps scrape the marble hall:
The rich buffet well colour'd serpents grace,
And gaping Tritons spew to wash your face.
Is this a dinner? this a genial room?
No 'ti a temple, and a hecatomb.
A solemn sacrifice perform'd in state,
You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear
Sancho's dread doctor and his wand were there.
Between each act the trembling salvers ring, [160
From soup to sweet-wine, and God bless the King.
In plenty starving, tantaliz'd in state,
And complaisantly help'd to all I hate,
Treated, caress'd, and tir'd, I take my leave,
Sick of his civil pride from morn to eve;
I curse such lavish cost, and little skill,
And swear no day was ever pass'd so ill.

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Who then shall grace, or who improve the soil? Who plants like Bathurst, or who builds like Boyle. 'Tis use alone that sanctifies expense, And splendour borrows all her rays from sense.

His father's acres who enjoys in peace,
Or makes his neighbours glad, if he increase:
Whose cheerful tenants bless their yearly toil,
Yet to their lord owe more than to the soil;
Whose ample lawns are not asham'd to feed
The milky heifer and deserving steed;
Whose rising forests, not for pride or show,
But future buildings, future navies, grow:
Let his plantations stretch from down to down,
First shade a country, and then raise a town.

You too proceed! make falling arts your care,
Erect new wonders, and the old repairs
Jones and Palladio to themselves restore,
And be whate'er Vitruvius was before:
Till kings call forth the ideas of your mind,
(Proud to accomplish what such hands design'd)
Bid harbours open, public ways extend,
Bid temples worthier of the God ascend;
Bid the broad arch the dangerous flood contain,
The mole projected break the
main ;
Back to his bounds their subject sea command,
And roll obedient rivers through the land;
These honours, Peace to happy Britain brings;
These are imperial works, and worthy kings.

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Imperial wonders rais'd on nations spoil'd, Where mix'd with slaves the groaning martyr toil'd:

Huge theatres, that now unpeopled woods,
Now drain'd a distant country of her floods:
Fanes, which admiring gods with pride survey;
Statues of men, scarce less alive than they!
Some felt the silent stroke of mouldering age,
Some hostile fury, some religious rage.
Barbarian blindness, christian zeal conspire,
And papal piety, and gothic fire.

Perhaps, by its own ruins sav'd from flame,
Some bury'd marble half preserves a name;
That name the learn'd with fierce disputes pursue,
And give to Titus old Vespasian's duc.

Ambition sigh'd: she found it vain to trust
The faithless column and the crumbling bust:
Huge moles, whose shadow stretch'd from shore to
shore,

Their ruins perish'd, and their place no more!
Convine'd, she now contracts her vast design,
And all her triumphs shrink into a coin.
A narrow orb each crouded conquest keeps,
Beneath her palm here sad Judea weeps
Now scantier limits the proud arch confine,
And scarce are seen the prostrate Nile or Rhine;
A small Euphrates through the piece is roll'd,
And little eagles wave their wings in gold.

The medal, faithful to its charge of fame, Through climes and ages bears cach form and name: In one short view subjected to our eye Gods, emperors, herocs, sages, beauties, lie. With sharpen'd sight pale antiquaries pore, Th' inscription value, but the rust adore. This the blue varnish, that the green endears, The sacred rust of twice ten hundred years! To gain Pescenius one employs his schemes, One grasps a Cecrops in ecstatic dreams. Poor Vadius, long with learned spleen devour'd, Can taste no pleasure since his shield was scour'd: And Curio, restless by the fair-one's side, Sighs for an Otho, and neglects his bride.

Theirs is the vanity, the learning thine : Touch'd by thy hand, again Rome's glories shine: Her gods and godlike heroes rise to view, And all her faded garlands bloom anew. Nor blush, these studies thy regard engage: These pleas'd the fathers of poetic rage: The verse and sculpture bore an equal part, And art reflected images to art.

Oh, when shall Britain, conscious of her claim, Stand emulous of Greck and Roman fame? In living medals see her wars enroll'd, And vanquish'd realis supply recording gold? Here, rising bold, the patriot's honest face; There, warriors frowning in historic brass: Then future ages with delight shall see How Plato's, Bacon's, Newton's looks agree; Or in fair series laurel'd bards be shown, A Virgil there, and here an Addison. Then shall thy Craggs (and let me call him mine) On the cast ore, another Pollio, hine: With aspect open shall erect his head, And round the orb in lasting notes be read, "Statesman, best friend to truth! of soul sincere, In action faithful, and in honour clear; Who broke no promise, serv'd no private end, Who gain'd no title, and who lost no friend; Ennobled by himself, by all approv'd, And prais'd, unenvy'd, by the Muse he lov'd"

R

EPISTLE TO DR. ARBUTHNOT:

BEING

THE PROLOGUE TO THE SATIRES.

ADVERTISEMENT

TO THE FIRST PUBLICATION OF THIS EPISTLE.

All fly to Twit'nam, and in humble strain
Apply to me, to keep them mad or vain.
Arthur, whose giddy son neglects the laws,
Imputes to me and my damn'd works the cause:
Poor Cornus sees his frantic wife elope,
And curses wit, and poetry, and Pope.

Friend to my life! (which did you not prolong,
The world had wanted many an idle song)
What drop of nostrum can this plague remove?
Or which must end me, a fool's wrath or love? 80
A dire dilemma! either way I'm sped;
If foes, they write, if friends, they read me dead.
Seiz'd and ty'd down to judge, how wretched I!
Who can't be silent, and who will not lie:
To laugh, were want of goodness and of grace ;
And to be grave, exceeds all power of face.
I sit with sad civility; I read
With honest anguish, and an aching head ;
And drop at last, but in unwilling ears,

39

saving counsel," Keep your piece nine years." "Nine years!" cries he, who high in Drury-lane, Lull'd by soft zephyrs through the broken pane, Rhymes ere he wakes, and prints before term ends, Oblig'd by hunger and request of friends:

|

"The piece, you think, is incorrect? why take it;
I'm all submission; what you'd have it, make it.”
Three things another's modest wishes bound,
My friendship, and a prologue, and ten pound.
Pitholeon sends to me: " you know his grace :
I want a patron; ask him for a place."
50
Pitholeon libell'd me-" but here's a letter
Informs you, sir, 'twas when he knew no better.
Dare you refuse him? Curll invites to dine,
He'll write a journal, or he'll turn divine."
Bless me! a packet.-"'Tis a stranger sues,
A Virgin Tragedy, an Orphan Muse."
If I dislike it, "Furies, death and rage !"
If I approve, "Commend it to the stage."

P.SHUT, shut the door, good John! fatigu'd I said,
Tie up the knocker, say I'm sick, I'm dead.
The Dog-star rages! nay, 'tis past a doubt,
All Bedlam, or Painassus, is let out:
Fire in each each eye, and papers in each hand,
They rave, recite, and madden round the land."

What walls can guard me, or what shades can
hide?
[glide.
They pierce my thickets, through my grot they
By land, by water, they renew the charge;
They stop the chariot, and they board the barge.
No place is sacred, not the church is free,
Ew'n Sunday shines no sabbath-day to me;
Then from the mint walks forth the man of rhyme,
Happy! to catch me, just at dinner-time.

Is there a parson, much bemus'd in beer,
A maudlin poetess, a rhyming peer,

A clerk, foredoom'd his father's soul to cross,
Who pens a stanza, when he should engross?
Is there, who, lock'd from ink and paper, scrawls
With desperate charcoal round his darken'd

walls?

This paper is a sort of bill of complaint, begu many years since, and drawn up by snatches, as the several occasions offered. I had no thoughts of publishing it, till it pleased some persons of rank and fortune [the authors of Verses to the Imitator of Horace, and of an Epistle to a Doctor of Divinity from a Nobleman at Hampton-Court] | to attack, in a very extraordinary manner, not only my writings (of which, being public, the pub-This lie is judge) but my person, morals, and family, whereof, to those who know me not, a truer information may be requisite. Being divided between the necessity to say something of myself, and my own lazines to undertake so awkward a task, I thought it the shortest way to put the last hand to this epistle. If it have any thing pleasing, it will be that by which I am most desirous to please, the truth and the sentiment; and if any thing offensive, it will be only to those I am least sorry to offend, the vicious or the ungenerous.

Many will know their own pictures in it, there being not a circumstance but what is true: but I have, for the most part, spared their names; and they may escape being laughed at, if they please.

I would have some of them to know, it was owing to the request of the learned and candid friend to whom it is inscribed, that I make not as free use of theirs as they have done of mine. How-There (thank my stars) my whole commission ends, ever, I shall have this advantage, and honour, on The players and I are, luckily, no friends. 60 [it, my side, that whereas, by their proceeding, any Fir'd that the house reject him, "Sdeath! I'll print abuse may be directed at any man, no injury can And shame the fools-your interest, sir, with Lintot." possibly be done by mine, since a nameless cha- Lintot, dull rogue! will think your price too much: racter can never be found out, but by its truth "Not, sir, if you revise it, and retouch." and likeness. All my demurs but double his attacks:

At last he whispers, "Do; and we go snacks."
Glad of a quarrel, straight I clap the door,

66

Sir, let me see your works and you nɔ more." "Tis sung, when Midas' ears began to spring, (Midas, a sacred person and a king) His very minister, who spy'd them first, (Some say his queen) was forc'd to speak, or burst. And is not mine, my friend, a sorer case, When every coxcomb perks them in my face?

VARIATIONS.

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