Pre-RaffaellitismLongman, Brown, Green, Longmans, and Roberts, 1857 - 317 páginas |
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Página 2
... colour - and an ominous absence of that indispensable shade and shadow which gives to the most magnificent colour- ing more than half its preciousness , and throws an air of quiet respectability over the lowest efforts of the lowest ...
... colour - and an ominous absence of that indispensable shade and shadow which gives to the most magnificent colour- ing more than half its preciousness , and throws an air of quiet respectability over the lowest efforts of the lowest ...
Página 5
... colour the things that had been called paintings were mere ink and charcoal , and that all precedent and all authority must be cast away at once , and trodden under foot . He cast them away ; the memories of Vandevelde and Claude were ...
... colour the things that had been called paintings were mere ink and charcoal , and that all precedent and all authority must be cast away at once , and trodden under foot . He cast them away ; the memories of Vandevelde and Claude were ...
Página 14
... colour , and ethereal space , and content with the clear and impressive recognition of any of these , by whatever means obtained ; and the other casting all these aside to obtain the particular truths of tone and chiaroscuro which may ...
... colour , and ethereal space , and content with the clear and impressive recognition of any of these , by whatever means obtained ; and the other casting all these aside to obtain the particular truths of tone and chiaroscuro which may ...
Página 26
... colour , is in the habit of allowing excessively cold fragments in his warmest pictures . " ( Ibid . § 20. ) " " But enough- Mr. Ruskin talks of " a history : it would need few words to show that , in choosing " those steps that are ...
... colour , is in the habit of allowing excessively cold fragments in his warmest pictures . " ( Ibid . § 20. ) " " But enough- Mr. Ruskin talks of " a history : it would need few words to show that , in choosing " those steps that are ...
Página 61
... colour , and the other a grand thought , and yet one of the kind which does no one any good , because everything is mutually sacrificed : the foliage is sacrificed to the architecture , the architecture to the water ; the water is ...
... colour , and the other a grand thought , and yet one of the kind which does no one any good , because everything is mutually sacrificed : the foliage is sacrificed to the architecture , the architecture to the water ; the water is ...
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actual amongst angels architecture artistic assertion Author beauty beneath chap chapter chiaroscuro Christian Church Claude Claude Lorraine cloud colour confession course crown 8vo distinct doubt Edin expression faith fancy feeling figures foreground Fra Angelico further Giotto give Gothic Gothic architecture Greek Harfleur History human Ibid ideal Ideal Art imagination imitation Jumieges landscape landscape art language Lectures less light look masters mean mediæval ment Michael Angelo Middle Ages Modern Painters moral morocco mountain nature never noble object passage PHARISEES picture plain facts Plates poet poetical poetry portrait Post 8vo Pre-Raffaellitism Pre-Raphaelitism principle prophet question Raffaelle Raffaelle's religion religious Ruskin sacred Salvator Salvator Rosa scarce Scripture Second Edition sense soul speak spirit Stones of Venice suppose things thought tion told TRUTH OF TONE TURNER CONTROVERSY ugly vols whilst Woodcuts words
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