Nothing but lifeless flesh and bone! And yet I feared him all the more, There was a manhood in his look, And lo! the universal air Seemed lit with ghastly flame; O God! it made me quake to see My head was like an ardent coal, My wretched, wretched soul, I knew, A dozen times I groaned: the dead And now, from forth the frowning sky I took the dreary body up, And cast it in a stream, A sluggish water, black as ink, Down went the corse with a hollow plunge, Anon I cleansed my bloody hands, And sat among the urchins young O Heaven! to think of their white souls, I could not share in childish prayer, Like a devil of the pit I seemed And peace went with them one and all, But Guilt was my grim chamberlain And drew my midnight curtains round All night I lay in agony, In anguish dark and deep, My fevered eyes I dared not close, For Sin had rendered unto her All night I lay in agony, From weary chime to chime, With one besetting horrid hint That racked me all the time; A mighty yearning, like the first Fierce impulse unto crime! One stern tyrannic thought that made Heavily I rose up as soon As light was in the sky, And sought the black, accursed pool Merrily rose the lark, and shook The dew-drop from its wing; But I never marked its morning flight, I never heard it sing: For I was stooping once again Under the horrid thing. With breathless speed, like a soul in chase, In a lonesome wood, with heaps of leaves Among Hood's humorous and satirical poems, none gives us a better idea of his manysidedness and the versatility of his genius, than the story of Miss Kilmansegg and her precious Leg; the intention of which is to ridicule purse-pride and vulgar love of display. The heroine fractures her leg badly when out riding, and the injured limb being amputated, she insists on replacing it by a golden leg, as a means of advertising her great wealth, and at the same time of attracting suitors. She finds a husband, but soon discovers that riches are not necessarily allied with domestic happiness; and one day the gentleman, in a violent passion, seizes the costly limb, and knocks out her brains with it, while she is lying in bed. Impossible as it is to give, by a brief extract, any adequate idea of the wit, the odd fancies, and we will even add, the philosophy of this pretty long poem, we cannot refrain from quoting the description of Miss Kilmansegg's happy parents, as they appeared at her christening: To paint the maternal Kilmansegg The pen of an Eastern Poet would beg, How she sparkled with gems whenever she stirr'd Had nidificated upon it. And Sir Jacob the father strutted and bow'd, In one of Hood's minor poems, he humorously exposes some of the petty hypocrisies of social life. It is called Domestic Asides, or Truth in Parentheses: I really take it very kind, This visit, Mrs. Skinner! I have not seen you such an age *) Humorous description of his rubbing his hands together to express his delight. Your daughters, too, what loves of girls! Your charming boys, I see, are home [What boots for my new Brussels !] What! little Clara left at home? And Mr. S. I hope he's well; Ah! though he lives so handy, Come, take a seat I long to hear You're come of course to spend the day! What! must you go? next time, I hope, Nay I shall see you down the stairs Good-bye, good-bye, remember all, Next time, you'll take your dinners! Many of Hood's shorter effusions, such as, I'm going to Bombay, were prompted by the passing incidents of the day. A letter under a pseudonym had appeared in the Times newspaper, in which the writer, a lady and a mother, complained of the ever increasing difficulty of marrying young ladies at the present day. She had herself three very accomplished daughters, she added, but could find no chance of disposing of them in marriage, and was thus compelled to solicit good advice. Advice soon came, in the form of a reply from a gentleman who had just returned from India, and the counsel he gave to her and to |