Milton's Poetry of Choice and Its Romantic HeirsCornell University Press, 1973 - 335 páginas |
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Página 13
Leslie Brisman. imaginary beings be , are more persuasive in the opening lines than in those more general descriptions . Perhaps this difference in particularity is just Milton's point . The opening lines of " L'Allegro " suggest the ...
Leslie Brisman. imaginary beings be , are more persuasive in the opening lines than in those more general descriptions . Perhaps this difference in particularity is just Milton's point . The opening lines of " L'Allegro " suggest the ...
Página 195
... opening of the center . Inspired by the Divine Mercy , Los recognizes " a world within / Opening its gates " ( 86.7-8 ) . For Milton's Son and his Satan , the citation of Deuteronomy further opens the interpretation of " Son " - an ...
... opening of the center . Inspired by the Divine Mercy , Los recognizes " a world within / Opening its gates " ( 86.7-8 ) . For Milton's Son and his Satan , the citation of Deuteronomy further opens the interpretation of " Son " - an ...
Página 270
... opening lines of the first version , locating failure be- tween what " we " expected and what encountered , lays heavy stress on the first - person pronoun . Like the first - person singu- lar which we have seen Wordsworth elsewhere ...
... opening lines of the first version , locating failure be- tween what " we " expected and what encountered , lays heavy stress on the first - person pronoun . Like the first - person singu- lar which we have seen Wordsworth elsewhere ...
Contenido
Foreword | 1 |
A Moments Space | 55 |
A Space Extended | 111 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
abstraction abyss Adam Adam's alternatives angels arrest awareness Blake capture comes Comus confrontation consciousness create creation creative death distance divine dream earth echo emblem epic eternal Eve's experience expression fall fallen false surmise Faust fiction Geoffrey Hartman God's Harold Bloom heaven human Il Penseroso imaginative Keats Kierkegaard L'Allegro literary loss Lycidas ment metaphor Milton mind moral muse narrative nature ness Northrop Frye numbers Ode to Duty opening option Orpheus Paradise Lost Paradise Regained passage past pause Penseroso phrase poem poet poet's poetic voice poetry of choice Prelude present prophetic reader redemption relation relationship repetition revision romantic Satan seems self-consciousness sense Shelley Shelley's silence sing song sonnet space stand stasis T. S. Eliot takes temporal temptation thee things thir thou tion turn Urizen verse vision W. H. Auden Wallace Stevens word Wordsworth