PROLOGUE 1 To the SUICIDE, A COMEDY! Spoken by Mr. PALMER. Auguft, 1778. 'T' IS now the reigning tafte with Belle and Their art and skill in Coachmanfhip to fhow. A Female Phaeton all danger mocks, Half-coat, half-petticoat, fhe mounts the box; The The modifh Artift, Playwright, or Coach-maker, In Grub-street starv'd, or thriving in Long-Acre, To fuit the times, and tally with the mode, What is a piece in one fhort A&t comprefs'd? A Wheelbarrow, or Sulky at the best. A fcale fo fmall, the Bard would fuffer for't; You'd fay his Farce was like himself-too fhort; Yet anxious with your fmiles his works to crown, In many a varied fhape he courts the town. Sometimes he drives-if Brother Bards implore, Sometimes he in a Prologue trots before, Or in an Epilogue gets up behindHappy in all, fo you appear but kind. His His vehicle to day may none reproach, Nor take it for a Hearse, or Mourning-Coach! 'Tis true a gloomy outfide he has wrought, We do but jeft-poifon in jeft-no more- iw PROLOGUE PROLOGUE To the CHAPTER of ACCIDENT S, A Comedy written by Mifs LEE, Spoken by Mr. PALMER. Auguft, 1780. ONG has the paffive Stage, howe'er abfurd, L a Been rul'd by Names, and govern'd by a Word. Some poor cant term, like magick fpells can awe, And bind our realms, like a Dramatick law. When Fielding, Humour's fav'rite child appear'd, Low was the word-a word each author fear'd! 'Till chac'd at length, by Pleafantry's bright ray, Nature and Mirth refum'd their legal fway; And Goldfmith's Genius bafk'd in open day. } No beggar, howe'er poor, a cur can lack; Poor Bards, of Critick Curs, can keep a pack. One yelper filenc'd, twenty barkers rife, And with new howls, their fnarlings ftill difguife. Low banish'd, the word Sentiment fucceeds: And at that farine, the modern Playwright bleeds. Hard Hard fate! but let each would-be Critick know, Give me the Bard, who makes me laugh and cry, To camps, reviews, and all our late confufions 3 PROLOGUE |