Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum, Volumen2W. Bowyer and J. Nichols, 1776 |
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Página 62
... said above - PERFECTOS veterefque , line 37 - and- vetus atque PROBUS , line 39 : which affords a fresh presumption in favour of Dr. Bentley's conjecture on line 41 , where , instead of veteres poetas , he would read , Inter quos ...
... said above - PERFECTOS veterefque , line 37 - and- vetus atque PROBUS , line 39 : which affords a fresh presumption in favour of Dr. Bentley's conjecture on line 41 , where , instead of veteres poetas , he would read , Inter quos ...
Página 163
... said on the fubject of the drama , writers feem not to have taken fufficient pains to distinguish with exactness , its feveral fpecies . I deduce the laws of this poem , as I did those of poetry at large , from the con- fideration of ...
... said on the fubject of the drama , writers feem not to have taken fufficient pains to distinguish with exactness , its feveral fpecies . I deduce the laws of this poem , as I did those of poetry at large , from the con- fideration of ...
Página 184
... the contrary of which I have afferted and explained at large elleweere [ Notes on the A. P. 317. ] Next , I have said , the characters of just Next , 184 ON THE PROVINCES OF diftinguished, are fought out and induftri- ...
... the contrary of which I have afferted and explained at large elleweere [ Notes on the A. P. 317. ] Next , I have said , the characters of just Next , 184 ON THE PROVINCES OF diftinguished, are fought out and induftri- ...
Página 185
Horace. Next , I have said , the characters of just comedy are general . And this I explain by the inftance of the Avare of Moliere , which conforms more to the idea of ava- rice , than to that of the real avaricious man . But here again ...
Horace. Next , I have said , the characters of just comedy are general . And this I explain by the inftance of the Avare of Moliere , which conforms more to the idea of ava- rice , than to that of the real avaricious man . But here again ...
Página 190
... said to use the persons of their drama as a certain facetious fort do their acquaintance , whom they urge and teize with their civilities , not to give them a reasonable share in the conversation , but to force them to play tricks for ...
... said to use the persons of their drama as a certain facetious fort do their acquaintance , whom they urge and teize with their civilities , not to give them a reasonable share in the conversation , but to force them to play tricks for ...
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Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum: With an ..., Volumen2 Horace Vista completa - 1766 |
Términos y frases comunes
abfurdity action addrefs admiration adparent affections againſt alfo almoſt antients atque becauſe befides beft beſt cafe cenfure character cife circumftance comedy comic COMMENTARY compofition confideration confifts courſe critic criticiſm defign dicere diftinct drama effential epiftle eſpecially expreffion exprefs faid fame farce fatire fcene feems fenfe fentiment ferious ferve feveral fhew fhewn fhould firſt folemn fome fpeaking fpecies fpirit ftage ftill fubject fublime fuch fuppofe fure furniſhed genius Greek hath himſelf honour Horace humour idea inftance inftruct intereft itſelf juft juſt learned leaſt lefs Lucilius manners meaſure merit modern moft moſt muft muſt nature numbers obferved occafion Pacuvius paffion perfons Plautus pleafing pleaſe pleaſure poem poet poet's poetry pofe POLYGNOTUS praiſe prefent profe purpoſe quod racter reader reaſon reprefented repreſentation reſpect ridicule Roman ſcene ſenſe ſpeak ſuch tafte taſte thefe themſelves theſe thing thofe thoſe tragedy underſtand uſe Virgil whofe words writers
Pasajes populares
Página 155 - But Italy, reviving from the trance Of Vandal, Goth, and Monkish ignorance, With pauses, cadence, and well-vowell'd words, And all the graces a good ear affords, Made rhyme an art, and Dante's polish'd page Restored a silver, not a golden age.
Página 135 - And therefore it was ever thought to have some participation of divineness, because it doth raise and erect the mind, by submitting the shows of things to the desires of the mind ; whereas reason doth buckle and bow the mind unto the nature of things.
Página 3 - ... notaque fatali portenta labore subegit, comperit invidiam supremo fine domari. urit enim fulgore suo, qui praegravat artis infra se positas: extinctus amabitur idem. 15 praesenti tibi maturos largimur honores iurandasque tuum per numen ponimus aras, nil oriturum alias, nil ortum tale fatentes.
Página 138 - ... them as throws the difcourfe out of the ordinary and common phrafe of converfation. Novelty and variety are certain fources of pleafure: a...
Página 188 - ... portraits of this vicious taste are the admiration of common starers, who, if they find a picture of a miser for instance (as there is no commoner subject of moral portraits) in a collection, where every muscle is strained, and feature hardened into the expression of this idea, never fail to profess their wonder and approbation of it. — On this idea of excellence, Le Brun's book of the PASSIONS...
Página 44 - ... for its novelty, preferable to the fublimer, but trite, themes of the Greek writers. Not but he intended, on fome future occafion, to adorn a nobler fubjeft.
Página 74 - ... be taken in a different sense when it is joined with one of the things, from what it has in conjunction with the other.
Página 245 - And lastly, his style in picturing characters, though masterly, was without that elegance of hand, which is required to correct and allay the force of so bold a colouring. Thus, the biass of his nature leading him to Plautus rather than Terence for his model, it is not to be wondered that his wit is too frequently caustic ; his raillery coarse ; and his humour excessive.
Página 6 - Scriptor abhinc annos centum qui decidit inter Perfectos veteresque referri debet, an inter Viles atque novos? Excludat jurgia finis. Est vetus atque probus centum qui perficit annos.
Página 82 - FATA Nepotum. This idea then of the sacred shield, the guard and glory of Rome, and on which, in this advanced situation, depended the fame and fortune of his country, the poet, with extreme elegance and sublimity, transfers to the shield which guarded their great progenitor, while he was laying the first foundations of the Roman Empire.