Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
Resultados 1-5 de 20
Página 15
... chests and in these cases there would be no experience of vowels as emotionally connected. Many actors have been trained to experience vowels only in their mouths and ears—for them also the emotional content will be missing. But anyone ...
... chests and in these cases there would be no experience of vowels as emotionally connected. Many actors have been trained to experience vowels only in their mouths and ears—for them also the emotional content will be missing. But anyone ...
Página 16
... your body on the vibrations of sound. Picture spaces within you that go from the head down through the chest, the belly, the pelvic cradle and the thighs to the toes. Feel the breath moving into you and out of you 16 THE CONTENT: LANGUAGE.
... your body on the vibrations of sound. Picture spaces within you that go from the head down through the chest, the belly, the pelvic cradle and the thighs to the toes. Feel the breath moving into you and out of you 16 THE CONTENT: LANGUAGE.
Página 17
... is going on in you through that wide, uninhibited channel. Open your arms out wide. Feel your chest becoming expansive, generous. Picture the vibrations pouring through your heart and out to the horizon. Picture the Vowels and Consonants ...
... is going on in you through that wide, uninhibited channel. Open your arms out wide. Feel your chest becoming expansive, generous. Picture the vibrations pouring through your heart and out to the horizon. Picture the Vowels and Consonants ...
Página 18
... chest. It is the short O sound that occurs in the word HOT (the exact pronunciation of this or any of these sounds is not very important—an awareness of their differentiation is the object.) Its color is perhaps a bright scarlet. For a ...
... chest. It is the short O sound that occurs in the word HOT (the exact pronunciation of this or any of these sounds is not very important—an awareness of their differentiation is the object.) Its color is perhaps a bright scarlet. For a ...
Página 24
... chest, over the breastbone, and the other directly behind it between your shoulder blades. With the sense that the sound must break through the bones, let a sharp, strong GOh (as in got) burst out. Put both hands on your upper chest and ...
... chest, over the breastbone, and the other directly behind it between your shoulder blades. With the sense that the sound must break through the bones, let a sharp, strong GOh (as in got) burst out. Put both hands on your upper chest and ...
Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale