Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
Resultados 1-5 de 35
Página vii
... Consonants Chapter Two: Words and Images Chapter Three: Words into Phrases Chapter Four: Organically, Cosmically and Etymologically Speaking Chapter Five: Figures of Speech Interlude: Stage Directions; Double Meanings; Bawdry; Thee's ...
... Consonants Chapter Two: Words and Images Chapter Three: Words into Phrases Chapter Four: Organically, Cosmically and Etymologically Speaking Chapter Five: Figures of Speech Interlude: Stage Directions; Double Meanings; Bawdry; Thee's ...
Página 7
... consonants, a series of exercises will enable you to feel and to process for yourself the sounds, words, emotions, language forms and verse structure that constitute a Shakespearean text. I would urge the actor who knows that his or her ...
... consonants, a series of exercises will enable you to feel and to process for yourself the sounds, words, emotions, language forms and verse structure that constitute a Shakespearean text. I would urge the actor who knows that his or her ...
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The Actor's Guide to Talking the Text Kristin Linklater. T H E C O N T E N T <> Language 1 <> Vowels and Consonants <> ithin the structure of THE CONTENT: Language.
The Actor's Guide to Talking the Text Kristin Linklater. T H E C O N T E N T <> Language 1 <> Vowels and Consonants <> ithin the structure of THE CONTENT: Language.
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The Actor's Guide to Talking the Text Kristin Linklater. 1. <>. Vowels. and. Consonants. <>. ithin the structure of words is encoded the evolution of lanW: and therefore of thought. Vowels and consonants in one form or another have been ...
The Actor's Guide to Talking the Text Kristin Linklater. 1. <>. Vowels. and. Consonants. <>. ithin the structure of words is encoded the evolution of lanW: and therefore of thought. Vowels and consonants in one form or another have been ...
Página 13
... consonants—the component parts of words—we begin to resurrect the life of language. The vowels and consonants of the English language have been badly treated over the last hundred years. I don't mean that “good speech has deteriorated ...
... consonants—the component parts of words—we begin to resurrect the life of language. The vowels and consonants of the English language have been badly treated over the last hundred years. I don't mean that “good speech has deteriorated ...
Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale