Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
Resultados 1-5 de 30
Página iv
... Dramatic production. eISBN 978-1-55936-638-0 2. Shakespeare, William, 1564–1616—Language. 3. Voice culture. 4. Acting. I. Title. PR3091.L56 1991 822.33—dc20 91-23801 CIP Design and composition by G&H/SOHO, Ltd. First Edition, April 1992 ...
... Dramatic production. eISBN 978-1-55936-638-0 2. Shakespeare, William, 1564–1616—Language. 3. Voice culture. 4. Acting. I. Title. PR3091.L56 1991 822.33—dc20 91-23801 CIP Design and composition by G&H/SOHO, Ltd. First Edition, April 1992 ...
Página 3
... drama, and stage plays “hold the mirror up to [contemporary] Nature,” which is exactly what they should be doing. The prime responsibility of the theatre is to show a culture its own face so that it may reflect upon it. But art also has ...
... drama, and stage plays “hold the mirror up to [contemporary] Nature,” which is exactly what they should be doing. The prime responsibility of the theatre is to show a culture its own face so that it may reflect upon it. But art also has ...
Página 4
... drama and Shakespeare's drama lies in the language that expresses extremity. Today the unspoken is as dramatic as the spoken on stage because that's how it is in contemporary life. We do not express our passions regularly and the ...
... drama and Shakespeare's drama lies in the language that expresses extremity. Today the unspoken is as dramatic as the spoken on stage because that's how it is in contemporary life. We do not express our passions regularly and the ...
Página 14
... dramatic literature a teacher may counsel, “You're getting in the way of yourself, don't think, let it happen to you.” These instructions need translation—they represent the Zen state of the art. But “Don't think” and “Let the words ...
... dramatic literature a teacher may counsel, “You're getting in the way of yourself, don't think, let it happen to you.” These instructions need translation—they represent the Zen state of the art. But “Don't think” and “Let the words ...
Página 29
... dramatic speaking. However the dangers are outweighed by the opportunities and the opportunity for richly expanding your range and interpretive possibilities is worth the risk. 2 <> Words and Images <> and getting a taste Vowels and ...
... dramatic speaking. However the dangers are outweighed by the opportunities and the opportunity for richly expanding your range and interpretive possibilities is worth the risk. 2 <> Words and Images <> and getting a taste Vowels and ...
Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale