Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
Resultados 1-5 de 34
Página 2
... earth to accept my loving thanks, Michael MacOwan, Bertram Joseph, Michael Warre, Tyrone Guthrie and Wal Cherry. It is with pride and affection that I salute those teachers who, over the past twenty years, have trained and traveled with ...
... earth to accept my loving thanks, Michael MacOwan, Bertram Joseph, Michael Warre, Tyrone Guthrie and Wal Cherry. It is with pride and affection that I salute those teachers who, over the past twenty years, have trained and traveled with ...
Página 31
... earth, la sangre the blood de los que hablarony de los que of those who talked and of those no hableron. who did not talk. Quiero verla sed I want to see the thirst adentro de las silabas: inside the syllables, quiero tocar el fuego I ...
... earth, la sangre the blood de los que hablarony de los que of those who talked and of those no hableron. who did not talk. Quiero verla sed I want to see the thirst adentro de las silabas: inside the syllables, quiero tocar el fuego I ...
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... EARTH Close eyes—"EARTH” WHAT DOES IT SMELL LIKE2 Close eyes—"EARTH” WHAT'S IT LIKE TO PUT YOUR HANDS IN2 Close eyes—"EARTH” WHAT DOES IT LOOK LIKE FROM A SPACESHIP2 Close eyes—"EARTH” DO YOU LIKE GARDENING2 Close eyes—"EARTH” FEEL THE ...
... EARTH Close eyes—"EARTH” WHAT DOES IT SMELL LIKE2 Close eyes—"EARTH” WHAT'S IT LIKE TO PUT YOUR HANDS IN2 Close eyes—"EARTH” WHAT DOES IT LOOK LIKE FROM A SPACESHIP2 Close eyes—"EARTH” DO YOU LIKE GARDENING2 Close eyes—"EARTH” FEEL THE ...
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Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale