Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
Resultados 1-5 de 53
Página 11
... meaning. In order to transfer Shakespeare's full emotional, intellectual and philosophical intent from the page to the stage, words must connect with the full human range of intellect and emotion, body and voice. They must be allowed to ...
... meaning. In order to transfer Shakespeare's full emotional, intellectual and philosophical intent from the page to the stage, words must connect with the full human range of intellect and emotion, body and voice. They must be allowed to ...
Página 12
... meaning life. Gothic would have used it for a word, aiwos, eternity. Latin would have placed it in aeven and aetas, for the connected ideas of age and eternity. The Greeks would put it into aion, vital force, and we would receive it in ...
... meaning life. Gothic would have used it for a word, aiwos, eternity. Latin would have placed it in aeven and aetas, for the connected ideas of age and eternity. The Greeks would put it into aion, vital force, and we would receive it in ...
Página 13
... meaning. By indulging sensory, sensual, emotional and physical responses to vowels and consonants—the component parts of words—we begin to resurrect the life of language. The vowels and consonants of the English language have been badly ...
... meaning. By indulging sensory, sensual, emotional and physical responses to vowels and consonants—the component parts of words—we begin to resurrect the life of language. The vowels and consonants of the English language have been badly ...
Página 14
... meaning. Shakespeare's use of words can paint scenery, change day into night, provoke attack and evoke emotion, not only through imagery but through the sounds that make the words that hold the imagery. Consonants and vowels are sensory ...
... meaning. Shakespeare's use of words can paint scenery, change day into night, provoke attack and evoke emotion, not only through imagery but through the sounds that make the words that hold the imagery. Consonants and vowels are sensory ...
Página 23
... meaning fires the engines of communication, communication of a fairly sophisticated nature can occur. The more alive the brain is to the minutest particles of the matter of speech, the richer the exchange of information. Here now is a ...
... meaning fires the engines of communication, communication of a fairly sophisticated nature can occur. The more alive the brain is to the minutest particles of the matter of speech, the richer the exchange of information. Here now is a ...
Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale