Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
Resultados 1-5 de 26
Página 4
... spoken on stage because that's how it is in contemporary life. We do not express our passions regularly and the twentieth-century voice goes pretty much unexercised in the language of extreme expression. The general public does not get ...
... spoken on stage because that's how it is in contemporary life. We do not express our passions regularly and the twentieth-century voice goes pretty much unexercised in the language of extreme expression. The general public does not get ...
Página 5
... spoken, and the sensorium of the body stores what it knows, seldom getting the opportunity to discharge its banked-up cargo. It would not, I think, be going too far to say that the twentieth-century experience of emotion is actually the ...
... spoken, and the sensorium of the body stores what it knows, seldom getting the opportunity to discharge its banked-up cargo. It would not, I think, be going too far to say that the twentieth-century experience of emotion is actually the ...
Página 6
... spoken word is understandable, and thus it is that in today's acting classes we hear repeated again and again: “Stop thinking. Get beyond the words. It's not the words that count, it's the behavior. The truth of what you are doing is ...
... spoken word is understandable, and thus it is that in today's acting classes we hear repeated again and again: “Stop thinking. Get beyond the words. It's not the words that count, it's the behavior. The truth of what you are doing is ...
Página 30
... spoken poetry run simultaneously on vertical and horizontal pathways, or, if you like, on electrical circuits that are at once introverted and extroverted. A consciousness of how words are spoken is necessary in cultivating the ability ...
... spoken poetry run simultaneously on vertical and horizontal pathways, or, if you like, on electrical circuits that are at once introverted and extroverted. A consciousness of how words are spoken is necessary in cultivating the ability ...
Página 32
... spoken word. Imagination, of course, has to do with images. You can have images in your head and you can look at them purely with your mind's eye, or those images can arouse a response in you. Notice the difference between appreciating ...
... spoken word. Imagination, of course, has to do with images. You can have images in your head and you can look at them purely with your mind's eye, or those images can arouse a response in you. Notice the difference between appreciating ...
Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale