Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
Resultados 1-5 de 27
Página 12
... tell it to my friends, and thousands of generations later, long after my time, it would be used to describe many things, not trees but the feeling that was contained in that particular tree. Aiw would become EVER, and AYE, and EON and ...
... tell it to my friends, and thousands of generations later, long after my time, it would be used to describe many things, not trees but the feeling that was contained in that particular tree. Aiw would become EVER, and AYE, and EON and ...
Página 21
... tell YOU who and what they are. D. Go through the same procedure with B. Let the thought of the sound of the consonant B (“buh"—not "bee") enter your mind's ear. In slow motion allow the thought to become more and more active until you ...
... tell YOU who and what they are. D. Go through the same procedure with B. Let the thought of the sound of the consonant B (“buh"—not "bee") enter your mind's ear. In slow motion allow the thought to become more and more active until you ...
Página 22
... telling you about its nature. Let it arouse sensations, evoke associations. El Shake the VVVVVV out of your body and replace it with ZZZZZZ. Let it play on you. El Shake the ZZZZZZ out of you and replace it with the consonant sound in ...
... telling you about its nature. Let it arouse sensations, evoke associations. El Shake the VVVVVV out of your body and replace it with ZZZZZZ. Let it play on you. El Shake the ZZZZZZ out of you and replace it with the consonant sound in ...
Página 31
... tell the truth. The Shakespeare speaker does well to listen to him. Channeling words off the page and into the sensorium can easily devolve into sentimental wallowing. It must be done with craftsmanlike care. The discrete character and ...
... tell the truth. The Shakespeare speaker does well to listen to him. Channeling words off the page and into the sensorium can easily devolve into sentimental wallowing. It must be done with craftsmanlike care. The discrete character and ...
Página 34
... tell you that they will say something in the end both gives a reason for going on the journey and sets up the conflict between old and new habits. The new habit will be exercised as you breathe in words of different natures and release ...
... tell you that they will say something in the end both gives a reason for going on the journey and sets up the conflict between old and new habits. The new habit will be exercised as you breathe in words of different natures and release ...
Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale