Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
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Página vii
... Thee's, Thou's and You's THE FORM: VERSE AND PROSE Chapter Six: Iambic Pentameter Chapter Seven: Rhyme Chapter Eight: Line-Endings Chapter Nine: Verse and Prose Alternation THE CONTEXTURE Chapter Ten: Today's Actor in Shakespeare's ...
... Thee's, Thou's and You's THE FORM: VERSE AND PROSE Chapter Six: Iambic Pentameter Chapter Seven: Rhyme Chapter Eight: Line-Endings Chapter Nine: Verse and Prose Alternation THE CONTEXTURE Chapter Ten: Today's Actor in Shakespeare's ...
Página 3
... teenage lovers commit suicide; women scream at men as Margaret does to York, “Why art thou patient, man? Thou. M. intention in this book is to offer a de-mystifying approach shouldst be mad/And I, to make thee mad do mock 3 Introduction.
... teenage lovers commit suicide; women scream at men as Margaret does to York, “Why art thou patient, man? Thou. M. intention in this book is to offer a de-mystifying approach shouldst be mad/And I, to make thee mad do mock 3 Introduction.
Página 4
... thee mad do mock thee thus,” and men reply as does York, “How ill-beseeming is it in thy sex/To triumph like an Amazonian trull . . . 'Tis beauty that doth oft make woman proud/But God he knows thy share thereof is small"; men strangle ...
... thee mad do mock thee thus,” and men reply as does York, “How ill-beseeming is it in thy sex/To triumph like an Amazonian trull . . . 'Tis beauty that doth oft make woman proud/But God he knows thy share thereof is small"; men strangle ...
Página 54
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Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale