Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
Resultados 1-5 de 28
Página 3
... truth” in their acting which depends on their personal emotional commitment to the characters they play and the words the characters speak. “Personal" truth sometimes seems too small for Shakespeare's poetic grandeur. It is the actor's ...
... truth” in their acting which depends on their personal emotional commitment to the characters they play and the words the characters speak. “Personal" truth sometimes seems too small for Shakespeare's poetic grandeur. It is the actor's ...
Página 5
... The resultant tone is flat and undifferentiated. A richer, more varied range of sounds may be suspect. The reference points of “truth” are made by the culture we live in. Yet we know more than we say. A crowd of Introduction .5.
... The resultant tone is flat and undifferentiated. A richer, more varied range of sounds may be suspect. The reference points of “truth” are made by the culture we live in. Yet we know more than we say. A crowd of Introduction .5.
Página 6
... truth lies, not what you're saying. Play the subtext not the text. Play the action, play the objective, play the ... truth,” therefore, is different from our daily experience of “truth.” The scale is larger than our domestic reality. But ...
... truth lies, not what you're saying. Play the subtext not the text. Play the action, play the objective, play the ... truth,” therefore, is different from our daily experience of “truth.” The scale is larger than our domestic reality. But ...
Página 7
... truth.” Understanding of the text is immediately illuminated. The words become instantly speakable. The speaker's reality expands to fill Shakespeare's reality, and as familiarity with larger, wilder, more outrageous expression grows ...
... truth.” Understanding of the text is immediately illuminated. The words become instantly speakable. The speaker's reality expands to fill Shakespeare's reality, and as familiarity with larger, wilder, more outrageous expression grows ...
Página 13
... truths or gnostic religion unearth clear evidence of earlier times when human beings experienced themselves as part of the fabric of nature and the cosmos. As late as Shakespeare's day men and women spoke of the harmony of the spheres ...
... truths or gnostic religion unearth clear evidence of earlier times when human beings experienced themselves as part of the fabric of nature and the cosmos. As late as Shakespeare's day men and women spoke of the harmony of the spheres ...
Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale