Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 1993 M01 1 - 224 páginas A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Dentro del libro
Resultados 1-5 de 82
Página 1
... Voice speaks to the polished professional as much as to the absolute beginner. I hope it will also speak to the director, be of interest to the scholar and help the playwright to enter the physicality of language. The most useful books ...
... Voice speaks to the polished professional as much as to the absolute beginner. I hope it will also speak to the director, be of interest to the scholar and help the playwright to enter the physicality of language. The most useful books ...
Página 5
... voice is essential to its life, and a baby's voice communicates essential information long before words are learnt. A baby's voice is emotion: happily gurgling and crowing, yelling angrily, crying—a potent wordless message is sent and ...
... voice is essential to its life, and a baby's voice communicates essential information long before words are learnt. A baby's voice is emotion: happily gurgling and crowing, yelling angrily, crying—a potent wordless message is sent and ...
Página 6
... voices. It may not speak familiar “truths" but it is truer to our larger, original selves than the limited, correct, proven, out-loud voice that has learnt to conform to the language of a judgmental outside world. Our true voices have ...
... voices. It may not speak familiar “truths" but it is truer to our larger, original selves than the limited, correct, proven, out-loud voice that has learnt to conform to the language of a judgmental outside world. Our true voices have ...
Contenido
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Otras ediciones - Ver todas
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Vista previa limitada - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Sin vista previa disponible - 2010 |
Términos y frases comunes
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale