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Página 288
This congruence depends on Rahab's connection to the book of Revelation , a connection that is both definitive and problematic . Revelation is undoubtedly the primary source of Blake's composite figure : in each epic he names her ...
This congruence depends on Rahab's connection to the book of Revelation , a connection that is both definitive and problematic . Revelation is undoubtedly the primary source of Blake's composite figure : in each epic he names her ...
Página 316
by Blake's most explosive and ferocious attack on Mystery in his entire work ( 119.1–120.51,134.5-29 ) , in which Mystery's violent end is announced in terms that draw directly from Revelation : " O Mystery .... Behold thy end is come ...
by Blake's most explosive and ferocious attack on Mystery in his entire work ( 119.1–120.51,134.5-29 ) , in which Mystery's violent end is announced in terms that draw directly from Revelation : " O Mystery .... Behold thy end is come ...
Página 319
But specifically in “ Paul's ” letter to the Hebrews , sacrifice is geared toward atonement for sin , whereas in John's Revelation sacrifice is conceived primarily as an uncompromising witness to justice .
But specifically in “ Paul's ” letter to the Hebrews , sacrifice is geared toward atonement for sin , whereas in John's Revelation sacrifice is conceived primarily as an uncompromising witness to justice .
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Contenido
Q Davies Variations on the Fall in Blakes Designs | 27 |
Michael Ferber In Defense of Clods | 51 |
Blakes | 67 |
Derechos de autor | |
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Términos y frases comunes
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