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Página 17
Likewise , the crouching , dagger - clutching villain in the cave of Europe , preludium plate 1 , reappears in Blake's later painting of Malevolence ( 1799 ; B 341 , pl . 345 ) . In fact , these figural recurrences suggest , to the ...
Likewise , the crouching , dagger - clutching villain in the cave of Europe , preludium plate 1 , reappears in Blake's later painting of Malevolence ( 1799 ; B 341 , pl . 345 ) . In fact , these figural recurrences suggest , to the ...
Página 143
Abrams was thinking especially of history painting as practiced by Benjamin West , but except for the fact that it depicts a fictional event , her formula precisely describes Chaucers Canterbury Pilgrims .
Abrams was thinking especially of history painting as practiced by Benjamin West , but except for the fact that it depicts a fictional event , her formula precisely describes Chaucers Canterbury Pilgrims .
Página 144
At yet another level , it reveals a kind of art more profound than history painting , something that might be called eternity painting , and a kind of portraiture that transcends mere mortality . Although it is meant to be profoundly ...
At yet another level , it reveals a kind of art more profound than history painting , something that might be called eternity painting , and a kind of portraiture that transcends mere mortality . Although it is meant to be profoundly ...
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Contenido
Q Davies Variations on the Fall in Blakes Designs | 27 |
Michael Ferber In Defense of Clods | 51 |
Blakes | 67 |
Derechos de autor | |
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Términos y frases comunes
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