Editing Emily Dickinson: The Production of an AuthorRoutledge, 2007 M10 18 - 200 páginas Editing Emily Dickinson considers the processes through which Dickinson's work has been edited in the twentieth century and how such editorial processes contribute specifically to the production of Emily Dickinson as author. The posthumous editing of her handwritten manuscripts into the conventions of the book and the electronic archive has been informed by editors' assumptions about the literary work; at stake is fundamentally what a Dickinson poem may be, or, rather, how we may approach such an object. |
Contenido
Introduction | 1 |
Chapter One Authoring Emily Dickinson | 33 |
The Function of the Manuscript in Dickinson Studies | 67 |
From Editions to Archives | 115 |
Conclusion | 157 |
Notes | 163 |
| 181 | |
| 189 | |
Otras ediciones - Ver todas
Editing Emily Dickinson: The Production of an Author Lena Holm Christensen Sin vista previa disponible - 2008 |
Editing Emily Dickinson: The Production of an Author Lena Christensen Sin vista previa disponible - 2013 |
Términos y frases comunes
alabaster chambers analysis argues argument Barthes becomes bibliographic codes biography canon chapter consider construction context conventional critique cultural Dickin Dickinson criticism Dickinson Electronic Archives Dickinson studies Dickinson’s handwriting Dickinson’s poems Dickinson’s poetic documents edition of Emily editorial projects electronic media electronic text Emily Dick Emily Dickinson Emily Dickinson’s manuscripts Emily Dickinson’s texts engage facsimile fact fascicles figure formulation Franklin genetic criticism Greetham handwritten hence Higginson historicizing holograph hypertext ideal inson intention interpretation Jerome McGann kind letters lineation literary criticism literary texts Mabel Loomis Todd manu Manuscript Books manuscript criticism Martha Nell Smith material McGann meaning medium metacritical narrative notion object Open Folios original particular Poems of Emily poet poet’s poetry potential practice privileging problematic produced question radical read Dickinson reader Roland Barthes script sense son’s specific stop for death Tate Tate’s textual criticism theory Thomas Higginson tion unediting variants Variorum visual Werner