Genre and Cinema: Ireland and TransnationalismBrian McIlroy Taylor & Francis, 2007 - 284 páginas This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema. |
Contenido
Introduction | 1 |
PART I
Genre Ireland and theory | 9 |
PART II Genre Ireland and Hollywood | 59 |
PART III Transnational and transformational contexts | 109 |
PART IV Genre and the Irish short film | 149 |
PART V Jordan gothic horror | 177 |
PART VI Genre and the city film | 203 |
PART VII Northern Irish commemorative cinema | 231 |
Contributors | 273 |
277 | |
Otras ediciones - Ver todas
Términos y frases comunes
allows American approach argues attempt audience become Bloody Boxer boxing British characters classic colonial comedy concept contemporary context conventions create critical cultural discussion dominant Dublin economic engage example expectations experience explore fantastic Figure film’s filmmakers forces genre global gothic Hollywood horror identity images imagination individual interest Ireland Irish cinema Irish Film issues John Jordan’s language lives London marked means memory move movie narrative nature Northern Ireland notes offers ofthe original particular past performance perspective play political position present production provides question Quiet reality recent references relation representation represented role rural scene sense sexual short shot social society Source space specific stage story structures Studies success suggests takes texts tion traditional turn United University Press urban violence visual