The Anxiety of Influence: A Theory of Poetry
Oxford University Press, 1997 - 157 páginas
Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work of criticism for all students of literature and has sold over 17,000 copies in paperback since 1984. Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded--neither by poets nor by responsible readers and critics.
This second edition contains a new Introduction, which explains the genesis of Bloom's thinking and the subsequent influence of the book on literary criticism of the past twenty years.criticism of the past twenty years. Here, Bloom asserts that the anxiety of influence comes out of a complex act of strong misreading, a creative interpretation he calls "poetic misprision." The influence-anxiety does not so much concern the forerunner but rather is an anxiety achieved in and by the story, novel, play, poem, or essay. In other words, without Keats's reading of Shakespeare, Milton, and Wordsworth, we could not have Keats's odes and sonnets and his two Hyperions.
Given the enormous attention generated by Bloom's controversial The Western Canon, this new edition is certain to find a readymade audience among the new generation of scholars, students, and layreaders interested in the Bloom cannon.
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THE ANXIETY OF INFLUENCE: A Theory Of PoetryCrítica de los usuarios - Kirkus
Professor Bloom (Yale; author of Blake's Apocalypse, 1963, and Yeats, 1970) interprets modern poetic history — the history of poetry in a Cartesian climate — in terms of Freud's "family romance ... Leer comentario completo
PROLOGUE It Was A Great Marvel That They Were
Clinamen or Poetic Misprision
Tessera or Completion and Antithesis
Kenosis or Repetition and Discontinuity
INTERCHAFTER A Manifesto for Antithetical
Daemonizatton or The CounterSublime
Askesis or Purgation and Solipsism
Apophrades or The Return of the Dead
EPILOGUE Reflections upon the Path
The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode ...
Vista previa limitada - 1995