John KeatsHarold Bloom Chelsea House, 2007 - 272 páginas Romantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare. Keats' more recognizable poems include Ode on a Grecian Urn, Ode to a Nightingale, and Ode on Melancholy. Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 99
... object . Keats cannot use the expressive medium ( say , the Miltonic sign ) , unless it is also a representational object : a signified . The double - distance Keats gains on Milton by composing ' The Fall ' suggests that the ...
... object . Keats cannot use the expressive medium ( say , the Miltonic sign ) , unless it is also a representational object : a signified . The double - distance Keats gains on Milton by composing ' The Fall ' suggests that the ...
Página 165
... object is fixed and permanent — nor indecision over how to animate it or what it represents . We have left the dreamy natural landscape of “ Indolence " and the surreal personal world of " Epistle " and have returned to the museum ...
... object is fixed and permanent — nor indecision over how to animate it or what it represents . We have left the dreamy natural landscape of “ Indolence " and the surreal personal world of " Epistle " and have returned to the museum ...
Página 169
... object will usurp the poet's powers of creation and turn him into a kind of mute stump , a harmless and sexless object . This fear is accompanied by the speaker's reconsideration of his ecstasy in stanza 3 and the realization that ...
... object will usurp the poet's powers of creation and turn him into a kind of mute stump , a harmless and sexless object . This fear is accompanied by the speaker's reconsideration of his ecstasy in stanza 3 and the realization that ...
Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical Apollo ballad beauty becomes belle dame Book bower Cockney School consciousness critics Cupid Dame sans Merci death diction dream early draft ekphrasis Elgin Marbles Endymion erotic essay Eve of St eyes faery Fall of Hyperion Fancy Fanny Brawne fetish gaze genre Grecian Urn happy honey human Hunt's imagination implied Indicator version Indolence John Keats Keats's Keats's poem Keatsian knight Lamia language Leigh Hunt letter lines literary look Madeline meaning Melancholy Milton Moneta myth narrative narrator natural Nightingale object Ode on Melancholy Ode to Psyche Petrarchan Petrarchan sonnet phrase poem's Poesy poet poet's poetic figures political Porphyro readers represents rhyme Romantic seems sense sestet sexual Shakespearean Shelley Shelley's song sonnet soul speaker Spenser Spenserian St Agnes stanza twenty-four sublime suggests sweet symbol tradition truth Univ University Press urn's verse vision visual voice wild words Wordsworth writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |