John KeatsHarold Bloom Chelsea House, 2007 - 272 páginas Romantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare. Keats' more recognizable poems include Ode on a Grecian Urn, Ode to a Nightingale, and Ode on Melancholy. Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 7
... truth of art may be all of the truth our condition can apprehend , but it is not a saving truth . If this is all we need to know , it may be that no knowledge can help us . Shelley was very much a child of Miltonic tradition in ...
... truth of art may be all of the truth our condition can apprehend , but it is not a saving truth . If this is all we need to know , it may be that no knowledge can help us . Shelley was very much a child of Miltonic tradition in ...
Página 176
... truth , truth beauty " reveals a remarkable compromise , an attempt not to establish a victor but to highlight and preserve the dynamic tension between word and image . The first half is narrative , " Beauty is truth " ; the second half ...
... truth , truth beauty " reveals a remarkable compromise , an attempt not to establish a victor but to highlight and preserve the dynamic tension between word and image . The first half is narrative , " Beauty is truth " ; the second half ...
Página 221
... truth , truth beauty .... " What is important , for present purposes , is the near balance of pluses and minuses accorded to both sides of these pairs . Throughout the poem , in the phrases I have quoted and in the larger oppositions ...
... truth , truth beauty .... " What is important , for present purposes , is the near balance of pluses and minuses accorded to both sides of these pairs . Throughout the poem , in the phrases I have quoted and in the larger oppositions ...
Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical Apollo ballad beauty becomes belle dame Book bower Cockney School consciousness critics Cupid Dame sans Merci death diction dream early draft ekphrasis Elgin Marbles Endymion erotic essay Eve of St eyes faery Fall of Hyperion Fancy Fanny Brawne fetish gaze genre Grecian Urn happy honey human Hunt's imagination implied Indicator version Indolence John Keats Keats's Keats's poem Keatsian knight Lamia language Leigh Hunt letter lines literary look Madeline meaning Melancholy Milton Moneta myth narrative narrator natural Nightingale object Ode on Melancholy Ode to Psyche Petrarchan Petrarchan sonnet phrase poem's Poesy poet poet's poetic figures political Porphyro readers represents rhyme Romantic seems sense sestet sexual Shakespearean Shelley Shelley's song sonnet soul speaker Spenser Spenserian St Agnes stanza twenty-four sublime suggests sweet symbol tradition truth Univ University Press urn's verse vision visual voice wild words Wordsworth writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |