John KeatsHarold Bloom Chelsea House, 2007 - 272 páginas Romantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare. Keats' more recognizable poems include Ode on a Grecian Urn, Ode to a Nightingale, and Ode on Melancholy. Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 135
... visual , of the word over the ( visual ) image . 16 The tropes of seeming and seeing are introduced in the framing narrative of the Beadsman's passage through the castle , as the visual is imbued with projected emotion : ' his frosted ...
... visual , of the word over the ( visual ) image . 16 The tropes of seeming and seeing are introduced in the framing narrative of the Beadsman's passage through the castle , as the visual is imbued with projected emotion : ' his frosted ...
Página 136
... visual ( or the conditions necessary for the visual ) , the lines threaten to end the poem without reaching the desired end . Indeed , the casement of stanza twenty - four is not only an example of poetic serendipity but also a product ...
... visual ( or the conditions necessary for the visual ) , the lines threaten to end the poem without reaching the desired end . Indeed , the casement of stanza twenty - four is not only an example of poetic serendipity but also a product ...
Página 138
... visual by the elaborate way in which its language imitates the baroque elaborations of visual detail in the casement . At the same time , the stanza remarks upon its own ocular limits by simultaneously representing a visual image and ...
... visual by the elaborate way in which its language imitates the baroque elaborations of visual detail in the casement . At the same time , the stanza remarks upon its own ocular limits by simultaneously representing a visual image and ...
Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical Apollo ballad beauty becomes belle dame Book bower Cockney School consciousness critics Cupid Dame sans Merci death diction dream early draft ekphrasis Elgin Marbles Endymion erotic essay Eve of St eyes faery Fall of Hyperion Fancy Fanny Brawne fetish gaze genre Grecian Urn happy honey human Hunt's imagination implied Indicator version Indolence John Keats Keats's Keats's poem Keatsian knight Lamia language Leigh Hunt letter lines literary look Madeline meaning Melancholy Milton Moneta myth narrative narrator natural Nightingale object Ode on Melancholy Ode to Psyche Petrarchan Petrarchan sonnet phrase poem's Poesy poet poet's poetic figures political Porphyro readers represents rhyme Romantic seems sense sestet sexual Shakespearean Shelley Shelley's song sonnet soul speaker Spenser Spenserian St Agnes stanza twenty-four sublime suggests sweet symbol tradition truth Univ University Press urn's verse vision visual voice wild words Wordsworth writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |