Milton's Lycidas: The Tradition and the Poem |
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Página 213
And our total literary experience , at any given time , is not a discrete series of memories or impressions of what we have read , but an imaginatively coherent body of experience . It is literature as an order of words , therefore ...
And our total literary experience , at any given time , is not a discrete series of memories or impressions of what we have read , but an imaginatively coherent body of experience . It is literature as an order of words , therefore ...
Página 244
The poet may now confront , receive , and finally surmount experience , combining pastoral or " pure ” beauty with his expression of experienced realities ; for those realities , when seen within God's eternally real purposes ...
The poet may now confront , receive , and finally surmount experience , combining pastoral or " pure ” beauty with his expression of experienced realities ; for those realities , when seen within God's eternally real purposes ...
Página 328
as the “ cry out of the heart of experience . ” His argument is more finely tuned than Raleigh's , but its point is the same : Lycidas is about becoming , the emergence of the ego to its full power ; or in Rajan's more guarded ...
as the “ cry out of the heart of experience . ” His argument is more finely tuned than Raleigh's , but its point is the same : Lycidas is about becoming , the emergence of the ego to its full power ; or in Rajan's more guarded ...
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Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
On the Poem | 60 |
Derechos de autor | |
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Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human imagery images important interpretation Italian John kind King lament language later leaves less lines literary look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd simply sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing