Milton's Lycidas: The Tradition and the PoemC. A. Patrides University of Missouri Press, 1983 - 370 páginas |
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Página 115
... final . The reference expands in at least three directions , two of which are exploited . Orpheus's de- scent into the underworld and not - quite - successful effort to rescue Eurydice is the most obvious , and perhaps for that reason ...
... final . The reference expands in at least three directions , two of which are exploited . Orpheus's de- scent into the underworld and not - quite - successful effort to rescue Eurydice is the most obvious , and perhaps for that reason ...
Página 130
... final reassurance but unites the themes of the preceding movements in the ultimate reward of the true poet - priest . Barker is almost certainly right in assigning a large part of the poem's impressiveness to the " three successive and ...
... final reassurance but unites the themes of the preceding movements in the ultimate reward of the true poet - priest . Barker is almost certainly right in assigning a large part of the poem's impressiveness to the " three successive and ...
Página 265
... final things from which Milton was to make Paradise Lost . This " high pastoral " is akin to the metamorphosed epic form which Milton later de- vised for an action more heroic than any known to Homer . In the prologue to Book 9 , he was ...
... final things from which Milton was to make Paradise Lost . This " high pastoral " is akin to the metamorphosed epic form which Milton later de- vised for an action more heroic than any known to Homer . In the prologue to Book 9 , he was ...
Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
On the Poem | 60 |
Derechos de autor | |
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Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human idea imagery images important interpretation Italian John kind King lament language later leaves less lines literary look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing