Milton's Lycidas: The Tradition and the Poem |
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Página 73
a а Here are ten eighteen - line stanzas , but here are also twelve nineteen - line stanzas , and one of seventeen lines ; and one of the eighteen - line stanzas does not agree in pattern with the others . If these details escape the ...
a а Here are ten eighteen - line stanzas , but here are also twelve nineteen - line stanzas , and one of seventeen lines ; and one of the eighteen - line stanzas does not agree in pattern with the others . If these details escape the ...
Página 158
This impression is one with the form of the poem - a development of the disciplined improvisation of the lines On Time and At a Solemn Musick . Such a method of writing verse must necessarily produce poems which have a unique shape and ...
This impression is one with the form of the poem - a development of the disciplined improvisation of the lines On Time and At a Solemn Musick . Such a method of writing verse must necessarily produce poems which have a unique shape and ...
Página 169
four lines . A clearer example is the fifth line of the following paragraph : à b а Return Alpheus , the dread voice is past , That shrunk thy streams ; Return Sicilian Muse , And call the Vales , and bid them hither cast Their Bels ...
four lines . A clearer example is the fifth line of the following paragraph : à b а Return Alpheus , the dread voice is past , That shrunk thy streams ; Return Sicilian Muse , And call the Vales , and bid them hither cast Their Bels ...
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Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
On the Poem | 60 |
Derechos de autor | |
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Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human imagery images important interpretation Italian John kind King lament language later leaves less lines literary look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd simply sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing