Milton's Lycidas: The Tradition and the Poem |
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Página 305
And here , in this triple progression from antiquity through the Old Testament to the New , lies part of the artistic significance of the opening lines of the poem : “ Yet once more ... and once more . ” Probably because she had in mind ...
And here , in this triple progression from antiquity through the Old Testament to the New , lies part of the artistic significance of the opening lines of the poem : “ Yet once more ... and once more . ” Probably because she had in mind ...
Página 307
more the allusions emerges clearly : Lycidas begins with “ Yet once ... and once more ” ; it proceeds to the " two - handed engine ” ( the Last Judgment seen under the aspect of Old Testament justice , the antitype of “ that little ...
more the allusions emerges clearly : Lycidas begins with “ Yet once ... and once more ” ; it proceeds to the " two - handed engine ” ( the Last Judgment seen under the aspect of Old Testament justice , the antitype of “ that little ...
Página 314
From the beginning ( “ Yet once more ” ) we have anticipated the end , though we do not arrive there immediately but in three successive waves , the crest of each being " higher " than the one before ; we are required to stand and wait ...
From the beginning ( “ Yet once more ” ) we have anticipated the end , though we do not arrive there immediately but in three successive waves , the crest of each being " higher " than the one before ; we are required to stand and wait ...
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Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
On the Poem | 60 |
Derechos de autor | |
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Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human imagery images important interpretation Italian John kind King lament language later leaves less lines literary look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd simply sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing