Milton's Lycidas: The Tradition and the Poem |
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Página 294
It is crucial that we realize Milton forbids us to feel ' we understand how the swain has come to this knowledge of truth . The transformation he undergoes has nothing to do , in the poem , with a logical or sequential argument or ...
It is crucial that we realize Milton forbids us to feel ' we understand how the swain has come to this knowledge of truth . The transformation he undergoes has nothing to do , in the poem , with a logical or sequential argument or ...
Página 301
a The " great Argument " of Paradise Lost , of course , is truth —the truth of man's condition seen under the aspect of " Eternal Providence . ” In this opening invocation Milton prays for the kinds of assistance appropriate to the task ...
a The " great Argument " of Paradise Lost , of course , is truth —the truth of man's condition seen under the aspect of " Eternal Providence . ” In this opening invocation Milton prays for the kinds of assistance appropriate to the task ...
Página 338
... to proclaim from an analytic and judgmental distance a truth he only sees ; but in the great vision of these soaring lines the truth proclaims , because it fills , its speakers , who are therefore not speakers at all but witnesses .
... to proclaim from an analytic and judgmental distance a truth he only sees ; but in the great vision of these soaring lines the truth proclaims , because it fills , its speakers , who are therefore not speakers at all but witnesses .
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Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
On the Poem | 60 |
Derechos de autor | |
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Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human imagery images important interpretation Italian John kind King lament language later leaves less lines literary look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd simply sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing