Milton's Lycidas: The Tradition and the Poem |
Dentro del libro
Resultados 1-3 de 68
Página 331
It is not too much to say , then , that the intervention of Apollo changes everything : the speaker loses control of his poem when another voice simply dislodges him from center stage ( where he had been performing in splendid isolation ) ...
It is not too much to say , then , that the intervention of Apollo changes everything : the speaker loses control of his poem when another voice simply dislodges him from center stage ( where he had been performing in splendid isolation ) ...
Página 336
It is a voice that counsels rather than complains , that turns outward rather than inward , a voice whose confident affirmation of a universal benevolence could not be further from the dark and self - pitying questioning of the swain .
It is a voice that counsels rather than complains , that turns outward rather than inward , a voice whose confident affirmation of a universal benevolence could not be further from the dark and self - pitying questioning of the swain .
Página 339
digressive interpolations , we have a poem that begins in digression — the first person voice is the digression and regains the main path only when the lyric note is no longer sounded . We have , in short , a poem that relentlessly ...
digressive interpolations , we have a poem that begins in digression — the first person voice is the digression and regains the main path only when the lyric note is no longer sounded . We have , in short , a poem that relentlessly ...
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
On the Poem | 60 |
Derechos de autor | |
Otras 6 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human imagery images important interpretation Italian John kind King lament language later leaves less lines literary look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd simply sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing