Thomas Carlyle and the Art of HistoryOctagon Books, 1971 - 219 páginas |
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Página 4
... scientific " history on a modern footing , the new critical theories did not begin to influence scholarship in England until the middle of the century , long after Carlyle's own attitudes had been formulated and proved in practice . In ...
... scientific " history on a modern footing , the new critical theories did not begin to influence scholarship in England until the middle of the century , long after Carlyle's own attitudes had been formulated and proved in practice . In ...
Página 99
... scientific " aspects ; a scientific aspect , because everyone has the problem of existence set before him , and derives instruction from the biographic expression of others ' experience . A poetic interest inheres still more ; for ...
... scientific " aspects ; a scientific aspect , because everyone has the problem of existence set before him , and derives instruction from the biographic expression of others ' experience . A poetic interest inheres still more ; for ...
Página 173
... scientific historian must maintain an attitude of wary caution . He must keep in mind the facts , and not be too much concerned with the method of presentation . If he is scientific , and at the same time vivid , it must not be by ...
... scientific historian must maintain an attitude of wary caution . He must keep in mind the facts , and not be too much concerned with the method of presentation . If he is scientific , and at the same time vivid , it must not be by ...
Contenido
CHAPTER PAGE | 1 |
BACKGROUNDS ΙΟ | 10 |
CARLYLES PHILOSOPHY OF HISTORY | 54 |
Derechos de autor | |
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action appearance artist become believed biographic Burke called Carlyle Carlyle's century character Coleridge complete conception considered constitute critical Cromwell Divine early effect element Emerson English essay existence experience expression fact final force French Revolution fundamental give Goethe hand heart Herder hero historian human idea imagination important individual influence institutions intellectual interest interpretation later laws less Letters literary literature living London man's materials matter means merely method mind Misc moral mystery nature never object opinion organism original past period personality philosophy poet poetry political position possessed practical present primary principles Professor qualities reader reality reason record represented romantic Sartor Schiller scientific seems sense significance social society soul spiritual subjective theory things thought tion true truth turn understanding universal volume whole writing written wrote