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On the Nature of Gothic Architecture: And Herein of the True Functions of ...
Sin vista previa disponible - 2008
accurate admiration appearance arrangement bear beauty becomes believe builders building capitals character colour composition condition confess considered definition delight difference elements error essential evil execution exist express facts feel foliation gable give given Gothic architecture greater Greek groups hand heart human imagination imitation imperfection inferior instance interest invention Italy kind labour leaves less light lines look manner mass mean merely mind monotony named Naturalists nature necessary never noble Northern observe original ornament painter perfect perhaps pleasure pointed arch present principle proper pure Purists reader represent respect Romanesque roof rough round rudeness sake schools sculpture seen sense simple spirit stone strength style term things thought traceries true truth understand variety various vault walls whole workman
Página 9 - It is verily this degradation of the operative into a machine, which, more than any other evil of the times, is leading the mass of the nations everywhere into vain, incoherent, destructive struggling for a freedom of which they cannot explain the nature to themselves.
Página 25 - The passions of mankind are partly protective, partly beneficent, like the chaff and -grain of the corn; but none without their use, none without nobleness when seen in balanced unity with the rest of the spirit which they are charged to defend. The passions of which the end is the continuance of the race; the indignation which is to arm it against injustice, or strengthen it to resist wanton injury; and the fear which lies at the root of prudence, reverence, and awe, are all honorable and beautiful,...
Página 5 - Let us, for a moment, try to raise ourselves even above the level of their flight, and imagine the Mediterranean lying beneath us like an irregular lake, and all its ancient promontories sleeping in the sun...
Página 31 - It is a supposition which never could have existed for a moment in the mind of any person acquainted with early Gothic ; but, however idle as a theory, it is most valuable as a testimony to the character of the perfected style.
Página 13 - This for two reasons, both based on everlasting laws. The first, that no great man ever stops working till he has reached his point of failure ; that is to say, his mind is always far in advance of his powers of execution, and the latter will now and then give way in...
Página 6 - ... rough strength and hurried stroke, he smites an uncouth animation out of the rocks which he has torn from among the moss of the moorland, and heaves into the darkened air the pile of iron buttress and rugged wall, instinct with work of an imagination as wild and wayward as the northern sea; creations of ungainly shape and rigid limb, but full of wolfish life ; fierce as the winds that beat, and changeful as the clouds that shade them.
Página 12 - Now it is only by labour that thought can be made healthy, and only by thought that labour can be made happy, and the two cannot be separated with impunity.
Página 18 - If they wanted a window, they opened one; a room, they added one; a buttress, they built one; utterly regardless of any established conventionalities of external appearance, knowing (as indeed it always happened) that such daring interruptions of the formal plan would rather give additional interest to its symmetry than injure it.
Página 5 - We know that gentians grow on the Alps, and olives on the Apennines ; but we do not enough conceive for ourselves that variegated mosaic of the world's surface which a bird sees in its migration, that difference between the district of the gentian and the olive which the stork and the swallow see far off, as they lean upon the sirocco wind.
Página 7 - ... surely enjoy the complacency of success. But, above all, in our dealings with the souls of other men, we are to take care how we check, by severe requirement or narrow caution, efforts which might otherwise lead to a noble issue; and, still more, how we withhold our admiration from great excellencies, because they are mingled with rough faults. Now, in the make and nature of every man...