Blind Memory: Visual Representations of Slavery in England and America, 1780-1865Manchester University Press, 2000 - 341 páginas A study of Atlantic slavery generated by the visual arts. It considers in detail four sites which have generated particularly influential imagery: the middle passage; flight/escape; slave torture/punishment; and the popular imagery which evolved around Stowe's classic abolition text, Uncle Tom's Cabin. |
Dentro del libro
Resultados 1-3 de 32
Página 149
... Stowe's novel . Or is it ? Rossetti's intensely visual relationship with Uncle Tom's Cabin exhib- ited an almost ... Stowe's face ran like rain ; For she knew berry well , now dey'd laid him on de shelf , Dat she'd neber get a publisher ...
... Stowe's novel . Or is it ? Rossetti's intensely visual relationship with Uncle Tom's Cabin exhib- ited an almost ... Stowe's face ran like rain ; For she knew berry well , now dey'd laid him on de shelf , Dat she'd neber get a publisher ...
Página 186
... Stowe's book , in its cultural and structural bones , within its very creative genes , contains assumptions about race endemic in Massachusetts in the early 1850s . Uncle Tom's Cabin is best approached as a cultural sample , as a ...
... Stowe's book , in its cultural and structural bones , within its very creative genes , contains assumptions about race endemic in Massachusetts in the early 1850s . Uncle Tom's Cabin is best approached as a cultural sample , as a ...
Página 213
... Stowe's novel in the contexts of re - colonisation and missionary expansion into Africa is badly weakened by the fact that he does not allude to Topsy , or the Topsy - Eva relationship . 101 Stowe , Uncle Tom's Cabin , ed . Ammons ...
... Stowe's novel in the contexts of re - colonisation and missionary expansion into Africa is badly weakened by the fact that he does not allude to Topsy , or the Topsy - Eva relationship . 101 Stowe , Uncle Tom's Cabin , ed . Ammons ...
Contenido
Introduction | 1 |
representing the middle passage | 14 |
the iconography | 78 |
Derechos de autor | |
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Otras ediciones - Ver todas
Blind Memory: Visual Representations of Slavery in England and America, 1780 ... Marcus Wood Vista previa limitada - 2000 |
Blind Memory: Visual Representations of Slavery in England and America Marcus Wood Vista previa limitada - 2000 |
Blind Memory: Visual Representations of Slavery in England and America Marcus Wood Sin vista previa disponible - 2000 |
Términos y frases comunes
abolition abolitionists African American Antiquarian Society Anon Anti-Slavery Almanac artist Atlantic Slave Trade Attucks audience black slave Blake BLIND MEMORY blood body Boston branding British broadside Cambridge century Clarkson colonial colour context copper engraving cultural depiction describe Description detail edition Emancipation England English escape etching European flagellation Gallery George Cruikshank graphic Henry Bibb Henry Box Brown History human illustrated imagery J. M. W. Turner James James Gillray John Library Literature Liverpool London male mass Massachusetts metaphor middle passage Moses Roper Museum Negro nineteenth nineteenth-century Oxford University Press PAIN AND TORTURE painting plantation plate political popular portrait propaganda punishment Race racism relation representation rhetoric Routledge runaway Ruskin scene semiotic sexual slave advertisements slave narratives Slave Ship Stedman Stowe Stowe's suffering tion Topsy Transatlantic Slavery trauma Turner's Uncle Tom's Cabin victim Victorian visual Western whipping Wilberforce William wood-engraving woodcut Worcester York