The Tragedy of Julius Caesar as Originally Performed by Shakespeare's CompanyHarper & Brothers, 1916 - 135 páginas |
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Página xii
... come to delight in most . Why should a poet so tie his hands with the conven- tions of verse , so becloud his meaning with expressions which are admittedly not literal , when he might have chosen to use simple , every - day prose ? That ...
... come to delight in most . Why should a poet so tie his hands with the conven- tions of verse , so becloud his meaning with expressions which are admittedly not literal , when he might have chosen to use simple , every - day prose ? That ...
Página xiii
... come back to earth and find his stage - writing venerated as the greatest literature of the language . His plays must therefore be read in the spirit in which they were written , as if spoken by actors who enter through certain doors of ...
... come back to earth and find his stage - writing venerated as the greatest literature of the language . His plays must therefore be read in the spirit in which they were written , as if spoken by actors who enter through certain doors of ...
Página xiv
... review time comes . It is advisable to keep study notes and class notes separately , and to keep all notes carefully dated . A good note - book , besides being an index to your teacher of what you have done , xiv Introduction.
... review time comes . It is advisable to keep study notes and class notes separately , and to keep all notes carefully dated . A good note - book , besides being an index to your teacher of what you have done , xiv Introduction.
Página xxxvii
... come round . " Julius Cæsar . Julius Cæsar was written and acted , according to modern critical opinion , by 1599. It was by no means the first play on the theme of the great Roman conqueror to be shown before an Elizabethan audience ...
... come round . " Julius Cæsar . Julius Cæsar was written and acted , according to modern critical opinion , by 1599. It was by no means the first play on the theme of the great Roman conqueror to be shown before an Elizabethan audience ...
Página 1
... come on the stage first . How will they occupy themselves until the arrival of Flavius and Marullus ? Was this a Roman or an English custom ? 4 When does Shakespeare use you , and when thou ? ( See APPEN- DIX , Shakespeare's Grammar , p ...
... come on the stage first . How will they occupy themselves until the arrival of Flavius and Marullus ? Was this a Roman or an English custom ? 4 When does Shakespeare use you , and when thou ? ( See APPEN- DIX , Shakespeare's Grammar , p ...
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Términos y frases comunes
¹ Look accent actors Alarum Artemidorus audience battle bear blood Brutus and Cassius Brutus's Cæs Caius Calpurnia Capitol Casca Cassius's Cato character Cicero Cinna Clitus conspirators Consult the dictionary dangerous death Decius doth drama Elizabethan Enter BRUTUS Exeunt Exit fear figure of speech fire Fourth Ple friends ghost give Globe theater gods hand hath hear heart honor humor ides of March inner stage Julius Cæsar Lepidus Ligarius lord Lucilius Marcus Brutus Mark Antony Marullus matter meaning Messala night noble Brutus North's Plutarch note to Act note-book Octavius Philippi Pindarus play Plutarch poet Pompey Pompey's Portia Publius reason Roman Rome scene Senate Shake Shakespeare Shakespeare's day speak spirit stand story Strato sword syllables tell thee thing Third Ple Titinius to-day Trebonius unto verb verse Volumnius word ΙΟ
Pasajes populares
Página 10 - tis true, this god did shake : His coward lips did from their colour fly ; And that same eye, whose bend doth awe the world, Did lose his lustre. I did hear him groan ; Ay, and that tongue of his, that bade the Romans Mark him, and write his speeches in their books, Alas ! it cried, " Give me some drink, Titinius,
Página 73 - I am no orator, as Brutus is; But, as you know me all, a plain blunt man, That love my friend; and that they know full well That gave me public leave to speak of him: For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech, To stir men's blood: I only speak right on; I tell you that which you yourselves do know...
Página 73 - And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
Página 65 - Who is here so base, that would be a bondman? If any, speak; for him have I offended. Who is here so rude that would not be a Roman? If any, speak ; for him have I offended.
Página 112 - Countrymen, My heart doth joy, that yet, in all my life, I found no man, but he was true to me. I shall have glory by this losing day, More than Octavius, and Mark Antony, By this vile conquest shall attain unto. So fare 3'ou well at once ; for Brutus...
Página 72 - This was the most unkindest cut of all; For when the noble Caesar saw him stab, Ingratitude, more strong than traitors
Página 65 - Brutus' love to Caesar was no less than his. If then that friend demand why Brutus rose against Caesar, this is my answer: Not that I loved Caesar less, but that I loved Rome more.
Página 11 - Why should that name be sounded more than yours? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, "Brutus" will start a spirit as soon as "Caesar.
Página 68 - He was my friend, faithful and just to me: But Brutus says, he was ambitious ; And Brutus is an honorable man. He hath brought many captives home to Rome, Whose ransoms did the general coffers fill: Did this in Caesar seem ambitious? When that the poor have cried, Caesar hath wept; Ambition should be made of sterner stuff: Yet Brutus says he was ambitious; And Brutus is an honorable man.
Página 70 - tis his will : Let but the commons hear this testament (Which, pardon me, I do not mean to read), And they would go and kiss dead Csesar's wounds, And dip their napkins...