With terrors and with clamours compassed round With impetuous recoil and jarring sound Excelled her power; the gates wide open stood, Under spread ensigns marching might pass through Without dimension, where length, breadth, and height, Eternal anarchy, amidst the noise Of endless wars, and by confusion stand. For Hot, Cold, Moist, and Dry, four champions fierce, 1 Sin here speaks according to the Epicurean notion of the life of the gods. See Lucret. i. 56, sq. Apul. de Deo Socratis. 2 All the ancient naturalists, philosophers, and poets, hold that, Chaos was the first principle of all things; and the poets particularly make Night a goddess, and represent Night, or darkness, and Chaos or confusion, as exercising uncontrolled dominion from the begin. Their embryon atoms; they around the flag Of each his faction, in their several clans, Light armed or heavy, sharp, smooth, swift, or slow, Of Barca or Cyrene's1 torrid soil, Levied to side with warring winds, and poise? Stood on the brink of Hell and looked a while, ning. Thus, the pseud-Orpheus, in the beginning of his hymn to Night, addresses her as the mother of the gods and men, and origin of all things. So, also, Spenser, in imitation of the ancients, F. Q. b. 1, c. 5, st. 22 :- "O thou most ancient grandmother of all, More old than Jove," &c. And our author's system of the universe is, in short, that the empyrean Heaven, and Chaos and darkness, were before the creationHeaven above, and Chaos beneath; and then, upon the rebellion of the angels, first Hell was formed out of Chaos "stretching far and wide beneath;" and afterwards "Heaven and Earth, another world hanging o'er the realm of Chaos, and won from his dominion." See ver. 1002, &c. and 978.-Newton. 1A city and province of Libya. 2 i. e. give weight or ballast to. 3 Lucret. v. 260. Omniparens, eadem rerum commune sepulchrum."-Thyer. The stedfast earth. At last his sail-broad vans1 Audacious; but, that seat soon failing, meets Fluttering his pennons vain, plumb down he drops 4 O'er bog, or steep, through strait, rough, dense, or rare, Of stunning sounds and voices all confused, 1 As the air and water are both fluids, the metaphors taken from the one are often applied to the other, and flying is compared to sailing, and sailing to flying.-Newton. 2 From Lucan, ix. 304. 3 i. e. he now need use. 4 Gryphons are fabulous creatures, in the upper part like an eagle, in the lower resembling a lion, and are said to guard gold mines. The Arimaspians were a one-eyed people of Scythia, who adorned their hair with gold, Lucan. iii. 280. Herodotus and other authors relate, that there were continual wars between the gryphons and Arimaspians about gold, the gryphons guarding it, and the Arimaspians taking it whenever they had opportunity. See Plin. Nat. Hist. lib. 7, cap 2.-Newton. Bordering on light; when straight behold the throne Wide on the wasteful deep; with him enthroned To whom Satan turning boldly, thus: "Ye powers Chaos and ancient Night, I come no spy, With purpose to explore or to disturb Orcus is generally by the poets taken for Pluto, as Ades for any dark place. These terms are of a very vague signification, and employed by the ancient poets accordingly. Milton has personized them, and put them in the court of Chaos.-Richardson. 2 There was a notion among the ancients of a certain deity, whose very name they supposed capable of producing the most terrible effects, and which they therefore dreaded to pronounce. This deity is mentioned as of great power in incantations. Thus Erictho is introduced, threatening the infernal powers for being too slow in their obedience, by Lucan, Phar. vi. 744 : "Yet, am I yet, ye sullen fiends, obeyed? At whose dread name the trembling furies quake, And, likewise, Tiresias, by Statius, Thebaid iv. 514. And Ismen threatens in the same strain in Tasso, Cant. xiii. st. 10: "I have not yet forgot for want of use, The name of this deity is Demogorgon, which some think a corruption of Demiurgus; others imagine him to be so called, as being able to look upon the Gorgon, that turned all other spectators to stone; and to this Lucan seems to allude, when he says: Spenser, too, mentions this infernal deity, F. Q. b. i. cant. 5, st. 22:"Which wast begot in Demogorgon's hall, And saw'st the secrets of the world unmade:" The secrets of your realm, but by constraint What readiest path leads where your gloomy bounds I travel this profound; direct my course; 66 Made head against Heaven's King, though overthrown. I saw and heard, for such a numerous host Fled not in silence through the frighted deep With ruin upon ruin, rout on rout, Confusion worse confounded; and Heaven-gates and places him, likewise, in the immense abyss with Chaos, B. 4, cant. 2. st. 47: 66 Down in the bottom of the deep abyss, Where Demogorgon in dull darkness pent, Far from the view of gods and heaven's bliss, The hideous Chaos keeps, their dreadful dwelling is: " and takes notice also of the dreadful effects of his name, B. i. c. 1, st. 37: "A bold bad man, that dared to call by name Great Gorgon, prince of darkness and dead night, At which Cocytus quakes, and Styx is put to flight." Well, therefore, might Milton distinguish him by the dreaded name of Demogorgon:" and "the name of Demogorgon" is as much as to say Demogorgon himself, as in Virgil Æn. vi. 763. Albanum nomen is a man of Alba, Æn. xii. 515.-Newton. 1 i. e. secret places. 2 i. e. if you direct me, you will reap no little recompense. |