Spenser, Milton, and Renaissance PastoralExamination of Spenser's and Milton's use of the pastoral as a vehicle for the imagination's dramatization of itself. |
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Página 58
harmless enough , hardly prepares us for the dolorous turn that the eclogue takes when Colin's “ heavy laye ” ( 149 ) begins . Like “ Januarye , ” the sestina relies on the pathetic fallacy ; but unlike the initial eclogue , Colin's ...
harmless enough , hardly prepares us for the dolorous turn that the eclogue takes when Colin's “ heavy laye ” ( 149 ) begins . Like “ Januarye , ” the sestina relies on the pathetic fallacy ; but unlike the initial eclogue , Colin's ...
Página 167
The young knight begins their conversation by addressing Meliboe as " ye father ” ( 9.19 ) , an appropriate cognomen , given Calidore's diverted attention during the conversation to the “ real obiect of his vew " ( 9.26 ) , his host's ...
The young knight begins their conversation by addressing Meliboe as " ye father ” ( 9.19 ) , an appropriate cognomen , given Calidore's diverted attention during the conversation to the “ real obiect of his vew " ( 9.26 ) , his host's ...
Página 192
It is for this reason that the poet too must be instructed by Colin Clout , and the instruction begins when the poet suddenly , rapturously comprehends exactly who the jolly shepherd's lass in the midst of the Graces is ( 16 ) .
It is for this reason that the poet too must be instructed by Colin Clout , and the instruction begins when the poet suddenly , rapturously comprehends exactly who the jolly shepherd's lass in the midst of the Graces is ( 16 ) .
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Contenido
Acknowledgments | 9 |
Spenser Milton and the Pastoral Tradition | 19 |
The Shepheardes Calender and Colin Clouts | 45 |
Derechos de autor | |
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Términos y frases comunes
achieve adonean allows attempt beauty begins Calender Calidore Calidore's Colin Clout conclusion continues conventions course courtesy critical dead death divine earlier early Eclogue effect elegist English example experience expression eyes fact fallen figure final flower follow forces Graces grief hand harmony heaven heavenly hero human hymn imagination important John lament landscape later lead light lines literary lives lover Lycidas means mind mode moral movement Muse narrative nature never notes observations once opening Orpheus orphic pastoral elegy pattern Penseroso perhaps poem poem's poet poet's poetic poetry praise present proem provides Queene reader Renaissance response ritual role seems sense share shepherd similar skill song speaker Spenser and Milton spirit stanza suggests takes tion tradition understanding University Press verse Virgil's virtue vision voice youth
Referencias a este libro
The Pipes of Pan: Intertextuality and Literary Filiation in the Pastoral ... Thomas K. Hubbard Vista previa limitada - 1998 |
Sidney's Poetic Justice: The Old Arcadia, Its Eclogues, and Renaissance ... Robert E. Stillman,Robert Stillman, M.D. Vista previa limitada - 1986 |