Spenser, Milton, and Renaissance PastoralExamination of Spenser's and Milton's use of the pastoral as a vehicle for the imagination's dramatization of itself. |
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Página 118
It is rather to assert that the elegist employs his pastoral conventions in a fashion that forces us radically to disembody the poem from the sensibilities of both poet and reader , persuading us to contemplate it as an artifact of ...
It is rather to assert that the elegist employs his pastoral conventions in a fashion that forces us radically to disembody the poem from the sensibilities of both poet and reader , persuading us to contemplate it as an artifact of ...
Página 146
[ 45-48 ] The lines are symptomatic of the adonean tendency that cannot integrate the pastoral conventions with the experience of grief . The results leaves a perilous gap between convention and emotion .
[ 45-48 ] The lines are symptomatic of the adonean tendency that cannot integrate the pastoral conventions with the experience of grief . The results leaves a perilous gap between convention and emotion .
Página 212
George Norlin , “ The Conventions of the Pastoral Elegy , ” American Journal of Philology 32 ( 1911 ) : 294-312 , lists the following conventions of the form : ( 1 ) the guise of the herdsman moving amid rustic scenes ; ( 2 ) a dramatic ...
George Norlin , “ The Conventions of the Pastoral Elegy , ” American Journal of Philology 32 ( 1911 ) : 294-312 , lists the following conventions of the form : ( 1 ) the guise of the herdsman moving amid rustic scenes ; ( 2 ) a dramatic ...
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Contenido
Acknowledgments | 9 |
Spenser Milton and the Pastoral Tradition | 19 |
The Shepheardes Calender and Colin Clouts | 45 |
Derechos de autor | |
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Términos y frases comunes
achieve adonean allows attempt beauty begins Calender Calidore Calidore's Colin Clout conclusion continues conventions course courtesy critical dead death divine earlier early Eclogue effect elegist English example experience expression eyes fact fallen figure final flower follow forces Graces grief hand harmony heaven heavenly hero human hymn imagination important John lament landscape later lead light lines literary lives lover Lycidas means mind mode moral movement Muse narrative nature never notes observations once opening Orpheus orphic pastoral elegy pattern Penseroso perhaps poem poem's poet poet's poetic poetry praise present proem provides Queene reader Renaissance response ritual role seems sense share shepherd similar skill song speaker Spenser and Milton spirit stanza suggests takes tion tradition understanding University Press verse Virgil's virtue vision voice youth
Referencias a este libro
The Pipes of Pan: Intertextuality and Literary Filiation in the Pastoral ... Thomas K. Hubbard Vista previa limitada - 1998 |
Sidney's Poetic Justice: The Old Arcadia, Its Eclogues, and Renaissance ... Robert E. Stillman,Robert Stillman, M.D. Vista previa limitada - 1986 |