Spenser, Milton, and Renaissance PastoralExamination of Spenser's and Milton's use of the pastoral as a vehicle for the imagination's dramatization of itself. |
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Página 121
The elegist stresses the poetic bonds that unite him with the dead shepherd hero ; often this bond is that of mentor to disciple . Even in the pagan orphic elegy , the poet himself assures us of the resurrection of the dead shepherd ...
The elegist stresses the poetic bonds that unite him with the dead shepherd hero ; often this bond is that of mentor to disciple . Even in the pagan orphic elegy , the poet himself assures us of the resurrection of the dead shepherd ...
Página 124
... more to the bereaved mistress than to the dead youth , " 12 it cannot be denied that the Lament flourishes several pastoral conventions that recur in centuries to come : the refrain ( “ ' I weep for Adonis , fair Adonis is dead " ) ...
... more to the bereaved mistress than to the dead youth , " 12 it cannot be denied that the Lament flourishes several pastoral conventions that recur in centuries to come : the refrain ( “ ' I weep for Adonis , fair Adonis is dead " ) ...
Página 125
Paradoxically , though , the dead Bion is portrayed not in the form of an actual human being , like the mythological Adonis in the earlier poem . The hero of Moschus's elegy is mourned as a poet whose primordial rhythms seemed to ...
Paradoxically , though , the dead Bion is portrayed not in the form of an actual human being , like the mythological Adonis in the earlier poem . The hero of Moschus's elegy is mourned as a poet whose primordial rhythms seemed to ...
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Contenido
Acknowledgments | 9 |
Spenser Milton and the Pastoral Tradition | 19 |
The Shepheardes Calender and Colin Clouts | 45 |
Derechos de autor | |
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Términos y frases comunes
achieve adonean allows attempt beauty begins Calender Calidore Calidore's Colin Clout conclusion continues conventions course courtesy critical dead death divine earlier early Eclogue effect elegist English example experience expression eyes fact fallen figure final flower follow forces Graces grief hand harmony heaven heavenly hero human hymn imagination important John lament landscape later lead light lines literary lives lover Lycidas means mind mode moral movement Muse narrative nature never notes observations once opening Orpheus orphic pastoral elegy pattern Penseroso perhaps poem poem's poet poet's poetic poetry praise present proem provides Queene reader Renaissance response ritual role seems sense share shepherd similar skill song speaker Spenser and Milton spirit stanza suggests takes tion tradition understanding University Press verse Virgil's virtue vision voice youth
Referencias a este libro
The Pipes of Pan: Intertextuality and Literary Filiation in the Pastoral ... Thomas K. Hubbard Vista previa limitada - 1998 |
Sidney's Poetic Justice: The Old Arcadia, Its Eclogues, and Renaissance ... Robert E. Stillman,Robert Stillman, M.D. Vista previa limitada - 1986 |